Like Barham, Tony Ashton had been a significant contributor to Harrison's Wonderwall Music album. [139] In March 1970, Harrison and Clapton participated in the recording of "I'm Your Spiritual Breadman" by Ashton's new band, Ashton, Gardner and Dyke. [140] Frank Zappa’s Funky Nothingness: Revelatory Lost Sessions Trace Connections From Hot Rats To Apostrophe(‘) Bruce Spizer, The Beatles Solo on Apple Records, 498 Productions (New Orleans, LA, 2005; ISBN 0-9662649-5-9).

All Things Must Pass (50th Anniversary - Super Deluxe)

I currently also have an original Italian pressing which compares pretty well with this one, but is noisier and less full in the bass. Will Hodgkinson, "Home Entertainment: Phil Collins", The Guardian, 14 November 2002 (retrieved 5 November 2020). I used to have an early US press, but I never knew the exact version because I sold it after getting the Italian press many years ago. By comparison the US press I had was thinner sounding and much more midrange heavy, typical of lots of 70s US vinyl. The face label on each side of disc three contained a jam jar painted by designer Tom Wilkes, showing a piece of fruit inside the jar and two apple leaves on the outside. [94]Barry Miles, The Beatles Diary Volume 1: The Beatles Years, Omnibus Press (London, 2001; ISBN 0-7119-8308-9).

George Harrison – All Things Must Pass (1970, Vinyl) - Discogs

James Hunter, "George Harrison All Things Must Pass 30th Anniversary reissue", Rolling Stone, 29 March 2001. Harry Castleman & Walter J. Podrazik, All Together Now: The First Complete Beatles Discography 1961–1975, Ballantine Books (New York, NY, 1976; ISBN 0-345-25680-8). On 1 May 1970, shortly before beginning work on All Things Must Pass, Harrison attended a Dylan session in New York, [78] during which he acquired a new song of Dylan's, " If Not for You". [59] Harrison wrote " Apple Scruffs", which was one of a number of Dylan-influenced songs on the album, [79] towards the end of production on All Things Must Pass, as a tribute to the diehard fans who had kept a vigil outside the studios where he was working. [73] [80] All Things Must Pass was number 1 on the UK's official albums chart for eight weeks, although until 2006, chart records incorrectly stated that it had peaked at number 4. [256] [nb 23] On Melody Maker 's national chart, the album was also number 1 for eight weeks, from 6 February to 27 March, six of which coincided with "My Sweet Lord" topping the magazine's singles chart. [257] In America, All Things Must Pass spent seven weeks at number 1 on the Billboard Top LP's chart, from 2 January until 20 February, and a similarly long period atop the listings compiled by Cash Box and Record World; [258] for three of those weeks, "My Sweet Lord" held the top spot on the Billboard Hot 100. [259] In Canada the album hit number 1 on just its 3rd week, was number 1 for 9 weeks, and was on the charts for 31 weeks, ending July 17, 1971. [260] Citing Wright's description that Harrison created a "profoundly peaceful" mood in the studio that complemented the quality of the musicianship, musicologist Thomas MacFarlane likens the atmosphere to the sessions for Harrison's Indian-style recordings for the Beatles, such as " Within You Without You". [48]Elliot J. Huntley, Mystical One: George Harrison – After the Break-up of the Beatles, Guernica Editions (Toronto, ON, 2006; ISBN 1-55071-197-0). Jeff Kaliss, "Ravi Shankar Raga: A Film Journey into the Soul of India", Songlines, 26 November 2010, p. 85 (archived version retrieved 10 March 2015). a b c Timothy White, "George Harrison: 'All Things' in Good Time", billboard.com, 8 January 2001 (retrieved 3 June 2014). Both sonically and lirically it's such a spellbinding album, best solo work by ex Beatles member imo. Billboard Top Pop Catalog Albums", Billboard, 10 February 2001, p. 13 (retrieved 11 February 2013).

George Harrison – All Things Must Pass (2021 - Discogs

Dale C. Allison Jr., The Love There That's Sleeping: The Art and Spirituality of George Harrison, Continuum (New York, NY, 2006; ISBN 978-0-8264-1917-0). Drake also played on the bootlegged instrumental "Pete Drake and His Amazing Talking Guitar", [173] before returning to Nashville to gather material for Starr's country album, Beaucoups of Blues, [174] sessions for which began in the last week of June. [175] Drake's visit to London also impacted on Frampton's career, as he went on to adopt Drake's talking-box guitar effect. [176] [177] George Harrison wrote many of these songs during the late Beatles period. But as usual he got two songs on the Beatles albums. Indie Artist Spotlight: New Releases From Beth Bombara, Maia Sharp, Tom Heyman on 1LP Vinyl, CD and Streaming Via Qobuz, Tidal and Apple Music

Notes

I went to George's Friar Park... and he said, "I have a few ditties for you to hear." It was endless! He had literally hundreds of songs and each one was better than the rest. He had all this emotion built up when it was released to me. [47] David Simons, "The Unsung Beatle: George Harrison's behind-the-scenes contributions to the world's greatest band", Acoustic Guitar, February 2003, p. 60 (archived version retrieved 6 May 2021). Tous les Albums classés par Artiste" > Choisir un Artiste dans la Liste (in French), infodisc.fr (archive version retrieved 13 February 2013). The recording then ends with an instrumental close. On the inner sleeve printed lyrics, however, the "Pope" lyrics are omitted, and the lines are misquoted thus: Jonathan Cohen, "George Harrison Catalog Goes Digital", billboard.com, 10 October 2007 (retrieved 10 December 2014).