Although I always find Anita Shreve's novels somewhat depressing, there's no denying that she produces extremely well-written and, in this and many other instances, mesmerizing stories. The year is 1929 as Honora and Sexton Beecher begin their life together as husband and wife. The home Sexton sets out to buy is somewhat beyond his means, but through a clever deception, he manages to secure a mortgage for the home, which is situated directly on the beach of a small New England town. In the town itself, Ely Falls, most of the residents work at the town's clothing mills and live very menial, hard-working lives. Initially, Sexton sees himself above these people and, as a typewriter and business-machines salesman, he does, indeed, earn a better living than the mill workers. It is not long before Honora senses her husband's deceit and by Christmas of that year, all their dreams come crashing down on them. As the entire country is falling on bad times, the bank calls in the Beecher's home loan and Sexton loses his job. His deceit is discovered and, suddenly, he is relegated to taking a job at the mill, something upon which he'd looked down his nose only 6 short months ago. So far this trilogy for me fits two reading groups, adult fiction and young adult. The sexual content has little detail compared to some writers in the genre but for me the plot base is richer than novels that specifically target YA and provides interest for YA and adults together. Opal is a wonderful focus for this book, she has a fabulously rounded personality with many qualities and imperfections that make her so appealing to the reader. In this second book, Opal gains in confidence with her magic abilities but wrestles with the dilemmas this power provides. She has to grow in maturity, to judge people, their intentions and deal with some serious circumstances whilst losing faith in her supporters. My heart went for Francis, his mother was to my father's. In the Great Depression, families were divided up between the relatives. I always love the way Anita Shreve writes about character interaction. Using her words, I can always picture exactly the way a person is moving, smiling, speaking, and how they are feeling. Maybe that's why I'm so addicted to her despite the fact that half of her books are disappointing.

The story follows the arc of their relationship from good times to bad and explores the discoveries they make about each other as a result of their travails. Part of the subtext of the story is revealed through homey letters from Honora's mother. Sexton becomes involved with a group of men fomenting a strike at the local textile mills. Their home becomes the headquarters of the organizers, bringing them into the center of a dangerous and controversial movement. Throughout the story, Honora walked the beach looking for smooth sea glass. She imagined that different colors of glass represented the various people she knew. The sea glass was bounced around by the waves like Honora was challenged by life. But they both ended up beautiful and unbreakable. Even if I hadn't been drawn to this book on a personal level, I would have enjoyed it. Shreve weaves a story about a newly married couple (Honora and Sexton) and the many people who touch their lives - from the wealthy heiress who owns a grand beach house down the shore from their rundown cottage, to the lives and struggles of Sexton's co-workers. It is about love, personal frailty, friendship, flaws...and so much more. And, topping it all off, sea glass! Beautiful, tumbled, thrown about, surviving - as do we. Opal Cowan is growing in power... this is a superb second book to the trilogy. I really like the style of this writer, her imagination relating to the evolution of the magic that the lead characters acquire and then learn to master is brilliant. She then applies this to huge consequences and events which both shape the plot of the book and provide the depth to the characters and sub plots. I loved that Honora loves sea glass, but her new husband thinks it is trash. To Honora they were broken shards of colored glass that were discarded but the sea had made it strong and beautiful.

Set in the early depression era somewhere on the East Coast, the novel follows Honora and Sexton Beecher from the beginning of their marriage. They moved into a large deserted old house on the beach and threw themselves into making it habitable with mostly sweat equity and little money. Sexton is away every week because of his job as travelling salesman and Honora lives a quiet but very structured life. She walks frequently on the lonely beach and collects colorful bits of sea glass. The heroine of this book, Honora, is a wonderful character. we meet her as she embarks on a new marriage to a slightly swarmy typewriter salesman in the pre-depression 20's in a small coastal town in NH. The depression hits, and her quiet, muted efficiency as a housewife becomes a beacon of stability and honor as the people around her become involved in labor strikes and violence. She collects pieces of sea glass from the beach - ones that have been worn smooth from their time in the ocean, but...more The heroine of this book, Honora, is a wonderful character. we meet her as she embarks on a new marriage to a slightly swarmy typewriter salesman in the pre-depression 20's in a small coastal town in NH. The depression hits, and her quiet, muted efficiency as a housewife becomes a beacon of stability and honor as the people around her become involved in labor strikes and violence. She collects pieces of sea glass from the beach - ones that have been worn smooth from their time in the ocean, but that have become so strong they never break, and that glass becomes the metaphor for Honora in the maelstrom of the times. Told from the rotating perspective of 5 different characters. Written in a quiet and muted literary style that matches Honora's key attributes, yet the novel becomes McDermott cared about people and when the little mill boy, Francis' mother dies, he takes him under his wing. He is very caring and I kept wishing that Honora and he were married instead. I also found absolutely fascinating the descriptions of Sea Glass, those colourful shards of glass smoothed by the sea that one sometimes comes across on beaches. Anita Shreve cleverly uses Honora’s collection of these shards as a link throughout. This is the 2nd Shreve book I finished in the last couple of weeks. I really enjoyed reading it, though not quite as much as Light on Snow. The structure of the book -- alternating between the viewpoints of the different characters -- made it take a little while to really get into it and feel invested in the characters, but once they started intersecting, I couldn't put it down. And the structure provided some great symbolism -- little threads weaving in and out of others' lives, sometimes only briefly, and sometimes with monumental consequences.

The working conditions at the mill were terrible, and the mill owners decided to reduce the meager wages they were paying. The men started to organize into a union, and Sexton and Honora were swept up in the effort. The story is told in chapters from the views of five characters. There were also letters from Honora's mother, Alice, advising her how to maintain a household on a small amount of money, and offering warm motherly support. Also, as in Storm Glass, the author keeps spending loads of time having her characters alluding to events that happened in her 'Study' series, so basically she is spoiling that entire series for anyone who hasn't yet read them (myself). Yes, the first series was successful... but the author is trying to scrape by with a new series, while the characters in the 'new' series just rehash events in the old one.This book is the reason that whenever I walk on the beach, I am walking stooped along the shore, searching for little bits of beach glass in the sand. So far I have collected two bowlfuls. I don't have a big white platter like Honora does in this book, but a bowl full of beach glass is very satisfying to run your hands through (don't worry, it is so dulled by the sand and the waves that it's smooth and curved, not sharp anymore) . . . And although so far I've mostly found green, white, and brown, little Gabrielle (maybe because of how short she is and consequently how much closer to the ground) just this week found a lavender one with starbursts on it . . . SCORE! It is a house on the beach. Honora doesn't mind renting--despite its age and all its flaws, the old house is the perfect place for a new marriage. She and Sexton throw themselves into fixing it up, just as they throw themselves into their new life together. Each morning, Honora collects sea glass washed up on the shore, each piece carrying a different story in its muted hues.