And for the ladies, there's Andrew Stevens, who beyond being the son of Stella Stevens is also the star of all of the many Night Eyes films. While performing the operation, the 'baby' tears itself free from the womb in a blatant crib of the chestburster scene from Alien, and scuttles off to the air vents where it quickly grows into a full-sized man in a really bad rubber monster costume. There's even some more gore thrown in with it's few kills, with some exceedingly graphic throat slashings, a couple of stomachs ripped open to various degrees in interior-organ-display, scratches along the face and chest and more as well, leaving this one nice and bloody when it wants to be. I guess it's not really spicy enough for the sub, it's an old story and nothing really much out of the ordinary pattern but reading through all these rape stories, just thought I should share. Nonetheless we do get to see them, and it's a fair looking monster design of a man in a rubber suit.

After Shelly is to take the male seed from several of the small monsters up inside her, she decides to wait until Jackson is asleep before she goes out to the stable to say goodnight to the creatures. The monster only was a few nanoseconds alone with the girl, but it clearly was more than enough to impregnate her. If I've learned anything from my lifetime of watching 1980's VHS movies, its that George Kennedy was married three times - twice to the same woman - and had six kids. What the story lacks in imagination (as it does draw upon a predictable amalgam) and coherence, it makes up for in durable performances (a likable Andrew Stevens, George Kennedy, John Lafayette, Starr Andreeff and Terri Treas all keeping it straight) and gruesomely tacky splatter (even though it doesn't have much impact in engineering the deaths and tawdry jolts).On that, you would have to argue a little more (but maybe not a lot, as they even name-drop the film). Unaware of the fact that the gargoyles mate with regular females, they take a pregnant girl into their lair and numbly observe how she gives birth (in a sequence shamelessly copied from Ridley Scott's milestone) to a ravenous and fast-growing monster.

The resulting "gargoyle" that emerges when they try to abort it then proceeds to slaughter the hapless crew one schmuck at a time.

Note for any worldbuilding fans out there, this is a bronze-iron age world and is a fantasy setting of my own design that I made just for my horny monsterfucking smut so that the rest of my stuff isn't invaded by "The author's barely disguised fetish". However, the movie was sort of dystopian future in its setting, and it actually worked out well enough. Stumbling across a farm hand already screwing around with one of the strange hairy creatures, she threatens to tell the old man what she saw. Unlike other such movies, the rubber monster is shown quite a bit, and while not a total embarrassment, close examination reveals its absurdity.

Dark sci-fi demon breeding erotica short story for adults 18+ Hardcore monster smut with little plot. The "David" character spends the second half of the film armed with a bow and arrow gun, which is never used. On examining the new arrival, they discover that she is pregnant, but when the foetus shows extraordinarily rapid development, suggesting a mutation, they decide to terminate the pregnancy.George's death is rather funny though as he blasts the monster four times with his 'laser' then rushes the beast most likely to expel himself from the film sooner! This also deserves the praise of keeping the creature off camera until well into the film, as the beginning stalking scenes are done through the creature's POV, and this leads into some pretty nice scenes. Lafayette and Hinkley are able to generate some laughs, while both Saa and Andreeff supply any eye candy the viewer could want. And they are referred to as Gargoyles many times as if to make it abundantly clear they are not Aliens, aka we're not going to get sued.

The film probably just took a few days to shoot; still I think George Kennedy had other, more urgent places to go to. Literally, there is very little to say other than this is a 92% Alien/Aliens rip-off, just here and not in space.

It's a cheesy and minimally plotted 80's earthbound "Alien" imitation and it's produced by Roger Corman, so that ought to give you an immediate idea about the overall quality of this production. Ronn Schmidt's competent cinematography makes the most out of the desolate desert and tightly confined lab locations.