I had a look at all the other designs they’d done previously and the No Music On A Dead Planet slogan was the kind of thing that dominated. So I did the first design based around the text. I asked myself, ‘What would be a metal way to the message across?’ The idea of a globe burning was the idea that came to mind. Then I thought, ‘Let’s make it a skull with the globe burning in the forehead because that way you’re marrying the human element with the idea of the world.’ Basically, it just needed to say, ‘If we don’t sort this shit out, we won’t be in a particularly good state.’ They have to act responsibly and the more pressure we can put on them to do that, the better. We need a safer, fairer, greener world.” Then I got to work with Metallica on posters and T-shirts, which has been a real honour. In 2019 I was on the guestlist when they played Manchester and it was surreal to see my artwork on their shirts behind on the merch stand. My wife was like, ‘Oh, my god, look there’s a person wearing one of your shirts! And there’s another one! And another!’ It all culminated in that really, because they’re one of my favourite bands and they’re the band that really got me into metal.”

These last couple of years, I’m getting to do these really cool jobs. ‘We saw your work on a Metallica T-shirt’ and things go from there. So the work I do with bands gets seen by other industries. ‘The art director of the game is a massive Metallica fan and he wonders if you’d design a skateboard’. They find me online and ask me things like that and, my long-winded answer, is that I love it all the same. If it’s a fun project, then I’m up for it.” Yeah. I started there around 2004 and I worked there for about nine years whilst playing in bands. I was commuting from Birmingham to Oxford every day and then playing gigs at night, and not really sleeping. This was when I was a lot younger and I still had energy! I was always into the metal scene and I wanted to tap into that still by doing gig posters. Then I left 2000 AD and started working in video games. I did bits of concept art for video games while continuing with my own art. Every artist’s goal is to be able to do what they want to do. Now I’ve got to a point where I am able to do that. The series launched with a design from letterpress megadude Anthony Burrill, and brought his bold letterforms to life beautifully in stark monochrome. His tees were followed by designs from Jamie Reid. The fan response to artists who have already supported our message has been overwhelmingly positive. With national and international studies showing that the vast majority of the public support action on climate, and with the opportunity for governments to direct post-covid recovery funds into green jobs and infrastructure, there has never been a better or more effective time to speak out on climate… and the stakes couldn’t be higher.Ultimately, Milton said that her dream was for “the music industry as a whole to really take a moment to take on board the real world situation that we’re in”. Speaking to NME about the organisation’s goals in 2019, Music Declares Emergency founder and Savages’ drummer Fay Milton said: “There’s such a short period of time to make the changes we need to make, and to make people wake up and realise that there isn’t time for everyone to change everything they do. Foals attend the Hyundai Mercury Prize: Albums of the Year at Eventim Apollo, Hammersmith on September 19, 2019 in London (Picture: Jeff Spicer/Getty Images) To use Greta Thunberg’s analogy, the house is on fire, and there isn’t time for whoever started the fire with their cigarette to quit smoking before saying the house is on fire – it’s on fire now, and we need to fix this. Let’s change our lifestyles, let’s fly less, let’s use less plastic – but ultimately what’s needed is a governmental response.” While it might seem odd for a climate crisis organisation to be making anything physical at all, we’re assured that all the shirts are made through a process that’s “sustainable and circular,” using natural materials and renewable energy. People are also encouraged to send shirts that are “at the end of their life” to online retailer Teemill to be reincorporated into the manufacturing process and go round the cycle again.

Music festivals have to evolve; they can’t stand still,” Reading & Leeds boss Melvin Benn told Sounds Like A Plan. “The most important things are audience travel, the power, and what’s left behind and recycled.” Charity Music Declares Emergency blummin’ hopes so. The organisation was founded in July last year by music business executives and artists to forge a cohesive, industry wide response to the climate emergency—their declaration of a Climate and Ecological Emergency has over 3,500 signatures now. That document calls for net zero greenhouse gas emissions by 2030 and pledges music industry action on environmental sustainability. I’m no expert on this stuff, but obviously Fay and Nigel know an awful lot about it. But on a personal level, I’m a father and I have two daughters. Before having kids I was probably oblivious to a lot and I didn’t think about much that went on, drifting through life like a typical 20-something-year-old. But having my children made me view the world differently – as cheesy as that sounds. When they asked me to do the work on this, I thought, ‘Finally, I can work on something that contributes to something that matters.’ The nice thing about Festival Republic, and Reading & Leeds in particular, is that they recognise what an important role music can play in being a cultural influencer to create change,” Milton told NME. “They’re doing great stuff in terms of sustainability, but also recognising the power that they hold as a communicator.Maisie Peters added that it was “important that people do as much as they can, but this is a global issue for which governments have to be responsible.” At the time of its formation, independent group Music Declares set about organising an industry wide declaration of Climate and Ecological Emergency signed by leading artists including Thom Yorke, Stanley Donwood, Jamie Reid, Paul Cook, and Anthony Burrill as well as businesses within the UK music industry, calling for net zero greenhouse gas emissions by 2030 and pledging industry action on environmental sustainability. At the heart of its work is the belief that “the music community can drive forward public understanding and pressure government to take immediate action on climate and biodiversity loss.” This goal is currently being bolstered by a line of t-shirts that raise awareness and funds for the organization, created by big names whose work has frequently married visual art and music, including Jamie Reid and Anthony Burrill. With regards to education, I went to art college in Birmingham and I gave up. I’m not sure that’s the best bit of advice, but I gave up because a job as a graphic designer came up and I wanted to learn from that and make money. There was never a hard and fast rule, or a grand plan. It was because I was into stuff. I felt that I was willing to learn and I figured that if I was into what I was doing, things would go somewhere and that’s what’s happened.”