If you are looking for some real insight to the art and the artists that made music from the 1960’s through the early 2000’s, you might be out of luck. In 2012, legendary producer and sound engineer Glyn Johns was inducted into the Rock and Roll Hall of Fame.

c] With Johns that year they recorded " (I Can't Get No) Satisfaction" [51] and the albums December's Children (And Everybody's) [52] and Out of Our Heads.In his autobiography, Glyn Johns recounts that at the age of eight he joined a local church choir as a boy soprano. Felton Rapley, considered one of the leading pipe organists in the UK at the time, became the choirmaster, and as Johns progressed, Johns was given occasional solos and eventually rose to head chorister at the age of eleven.

It is well known that Mick Jones did a mix prior to the arrival of Glyn Johns, but in Glyn Johns's autobiography, he mentions that both Strummer and Jones did mixes. The group came to England to record their debut album, Children of the Future, at Olympic with Johns as engineer. Of course I wrote things to get it out of my system, screeds of stuff that were not particularly complimentary. Johns began to keep company with a group of friends interested in music, whose ranks included Ian Stewart (later in the Rolling Stones).While Johns doesn’t spare anyone with whom he’s had disagreements and dust-ups, (including and especially himself! I explained that I felt, because of their stature, the sales of the album would not be affected by my involvement one way or another, so a credit would be a fair settlement for what I had done, as by association it could only be positive for my career in the future. He engineered several songs by Australia's the Easybeats, [108] including their 1967 hit " Friday on My Mind", which was produced by Shel Talmy. Coats and ties were required to be worn by recording engineers (and white lab coats for technical engineers).