My voice You shall hear in the morning, O LORD; In the morning I will direct it to You, And I will look up. The church of All Saints, West Street | British History Online". www.british-history.ac.uk . Retrieved 23 June 2023. LORD JEHOVAH, at dawn you will hear my voice and at dawn I shall be ready and shall appear before you. Cornelius answered: "Four days ago I was in my house praying at this, the ninth hour. Suddenly a man in radiant clothing stood before me But I will sing of Your strength and proclaim Your loving devotion in the morning. For You are my fortress, my refuge in times of trouble.

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The crying boy in Hogarth's work is based on this infant in the foreground of Poussin's first rendition of the Rape of the Sabine Women. King Street and Floral Street Area King Street". British History Online. 1970 . Retrieved 4 June 2007. Ronald Paulson (1993). Hogarth: Art and Politics, 1750–64 Vol 3. Lutterworth Press. p.596. ISBN 0-7188-2875-5. The next day at about the sixth hour, as the men were approaching the city on their journey, Peter went up on the roof to pray.a b c d e I. R. F. Gordon (5 November 2003). "The Four Times of the Day and Strolling Actresses Dressing in a Barn". The Literary Encyclopedia . Retrieved 18 January 2007.

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Conjunctive waw | Verb - Qal - Conjunctive imperfect Cohortative if contextual - first person common singular Shesgreen, Sean (1974). Engravings by Hogarth: 101 Prints. New York: Dover Publications, Inc. ISBN 0-486-22479-1. Now when Daniel knew that the writing was signed, he went into his house; and his windows being open in his chamber toward Jerusalem, he kneeled upon his knees three times a day, and prayed, and gave thanks before his God, as he did aforetime… Paulson, Ronald (2003). Hogarth's Harlot: Sacred Parody in Enlightenment England. Baltimore, Maryland: The Johns Hopkins University Press. ISBN 0-8018-7391-6.

Capt. Grose (1824). Ephraim Hardcastle (ed.). "An Essay on Comic Painting". Somerset House Gazette. London: W. Wetton. 1: 70. Evening, and morning, and at noon I will declare and make known my wants: and he shall hear my voice. Yahweh, in the morning you will hear my voice. In the morning I will lay my requests before you, and will watch expectantly. Paulson, Ronald (1993). Hogarth: Art and Politics, 1750–64 Vol 3. Lutterworth Press. ISBN 0-7188-2875-5. Here is a list of different parts of the day. There is no exact time when each one begins and ends, because they can vary according to your lifestyle and the hours of daylight at each time of year, but this list shows some approximate times that many people would agree with.

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My voice shalt thou hear in the morning, O LORD; in the morning will I direct my prayer to thee, and will look up. Hogarth designed the series for an original commission by Jonathan Tyers in 1736 in which he requested a number of paintings to decorate supper boxes at Vauxhall Gardens. [4] Hogarth is believed to have suggested to Tyers that the supper boxes at Gardens be decorated with paintings as part of their refurbishment; among the works featured when the renovation was completed was Hogarth's picture of Henry VIII and Anne Boleyn. The originals of Four Times of the Day were sold to other collectors, but the scenes were reproduced at Vauxhall by Francis Hayman, and two of them, Evening and Night, hung at the pleasure gardens until at least 1782. [5] LORD, in the morning you will hear my voice; in the morning I will pray to you, and I will watch for your answer. Gowing, Lawrence (January 1953). "Hogarth, Hayman, and the Vauxhall Decorations". The Burlington Magazine. 95 (598): 4–19. In the morning, O LORD, You hear my voice; at daybreak I lay my plea before You and wait in expectation.

Charing Cross was a central staging post for coaches, but the congested narrow road was a frequent scene of accidents; here, a bonfire has caused the Salisbury Flying Coach to overturn. Festive bonfires were usual but risky: a house fire lights the sky in the distance. A link-boy blows on the flame of his torch, [4] street-urchins are playing with the fire, and one of their fireworks is falling in at the coach window. St. Paul's Church". Survey of London: volume 36. British History Online. 1970 . Retrieved 11 June 2007. Hogarth took his inspiration for the series from the classical satires of Horace and Juvenal, via their Augustan counterparts, particularly John Gay's Trivia and Jonathan Swift's " A Description of a City Shower" and " A Description of the Morning". [2] He took his artistic models from other series of the "Times of Day", "The Seasons" and "Ages of Man", such as those by Nicolas Poussin and Nicolas Lancret, and from pastoral scenes, but executed them with a twist by transferring them to the city. He also drew on the Flemish "Times of Day" style known as points du jour, in which the gods floated above pastoral scenes of idealised shepherds and shepherdesses, [3] but in Hogarth's works the gods were recast as his central characters: the churchgoing lady, a frosty Aurora in Morning; the pie-girl, a pretty London Venus in Noon; the pregnant woman, a sweaty Diana in Evening; and the freemason, a drunken Pluto in Night. [1] William Hogarth Paulson, Ronald (1979). Popular and Polite Art in the Age of Hogarth and Fielding. Indiana, USA: Notre Dame University Press. ISBN 0-268-01534-1.