Massive oversized hardcover with dust jacket and wraparound band, 352 pages; very tight in binding, unusual in such a large book, immeasurably tiny bumps to edges and corner tips, but treated with great respect, essentially almost as new; DJ also essentially almost as new except for traces of rumpling along top edge; wraparound band as new. The only gallery exhibition of his artwork, in 1984, at the Danceteria club in Manhattan, attracted more than 4,000 fans.

Commissioned by Irving Klaw starting in the late 1940s, [5] his bondage fantasy chapter serials earned him underground fame. Exchanging Valentines can be an awkward process, especially when you consider “Vinegar Valentines” and other snarky sentiments - whatever your tastes, enjoy the sweet and sour cards alike in this gallery!

Ditko biographer Blake Bell, without citing sources, said, "At one time in history, Ditko denied ever touching Stanton's work, even though Stanton himself said they would each dabble in each other's art; mainly spot-inking", [17] and the introduction to one book of Stanton's work says, "Eric Stanton drew his pictures in India ink, and they were then hand-coloured by Ditko". Titles, mainly from the 1950s, include: Dianna's Ordeal, Perils of Dianna, Priscilla: Queen of Escapes, Poor Pamela, Bound in Leather, Duchess of the Bastille, Bizarre Museum, Pleasure Bound, Rita's School of Discipline, Mrs. The Art of Eric Stanton: for the man who knows his place' is a collection of erotic and comic art drawn by Eric Stanton, with a history of his life and work at the beginning written by Eric Kroll. com, the Sell on Etsy app, and the Etsy app, as well as the electricity that powers Etsy’s global offices and employees working remotely from home in the US.

Read more about the condition Very Good: A book that has been read and does not look new, but is in excellent condition. He later shared a studio with classmate Steve Ditko, co-creator of Spider-Man and Doctor Strange for Marvel Comics in the 1960s.

No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. During this period, Stanton came across an advertisement by Irving Klaw, New York's self-styled pin-up king, offering 'fighting girl illustrated serials' by mail. Damsels in combat and distress were staple ingredients of adventure comics and the pulp fiction magazines from which they evolved.