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Between June and August 2010, the band performed at the Glastonbury, Isle of Wight, T in the Park, iTunes, Oxegen, Underage and V Festivals.

Jude, Liam Fray and his Middleton homeboys present an album to seal their role as the Stereoasisphonics-lookalikes that it’s okay to like. Two versions were released on seven-inch: the first with "Whites of Her Eyes", while the other featured "Social Fireworks" and a live version of "You Overdid It Doll".

You Overdid It Doll" charted at number 24 in Scotland and number 28 in the UK, while "Take Over the World" peaked at number 114 in the UK. AllMusic reviewer Heather Phares said Buller "helped them slows things down and take them more seriously" as musicians.The album reached number six in the UK, after selling 24,000 copies in the first week of its release. Jude" noch ein Britpop-Album mit einer Neigung zum Britrock, vermisse ich bei "Falcon" eben diese Neigung. Forget preconceptions of boorish Manc laddishness – Morrissey’s championing of this fast-rising band is beginning to make sense.

Pia saw it as a "marked improvement" from their debut, praising the "newly discovered emotional depth to Fray's songwriting", while lambasting the band for not pushing themselves beyond their influences. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. The rock balladry of "Cameo Brooch" is followed by "Scratch Your Name Upon My Lips", a love song detailing a long distance relationship that spans 6,000 miles, incorporating rhythms used by Franz Ferdinand.

The Guardian editor Will Dean wrote that "most things fall between the cracks – either sub- Guy Garvey/ Conor Oberst ballads [. Don’t be misled, though: this remains ‘indie-rock’, albeit tanned and tarted-up like one of the girls on a night out in Fray’s songs.

The CD version included "Piercing Blues", while the seven-inch vinyl edition featured "Why Do You Do It? Ally Carnwath of The Observer echoed a similar sentiment, stating that "[t]here's a development of sorts here but it extends only to leavening brash indie swagger with bolted-on string sections and heart-on-sleeve anthemics".These are strong, conventional songs full of clever flicks and feints, deliciously produced by Ed (Suede, Pulp, White Lies) Buller. Chris Roberts of BBC Music felt there was "enough musical flourishes and pining ballads to earn the band the Elbow comparisons they blatantly desire". Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. For seven weeks from August 2009, the band recorded their follow-up at ICP studios in Brussels, Belgium.