Various Russian Alice illustrators in Artist's Choice Editions, 2016, limited to 160 standard and 48 special copies Sulcas, Roslyn (1 March 2011). "Alice on Her Toes, at a Rare Tea Party". The New York Times. ISSN 0362-4331. Archived from the original on 9 November 2016 . Retrieved 25 January 2022. Garvey, Eleanor M. and W.H. Bond. Tenniel’s Alice. Drawings by Sir John Tenniel for Alice’s Adventures in Wonderland and Through the Looking-Glass. Harvard College Library and The Metropolitan Museum of Art, 1978.

A] stunning 150th-anniversary edition of the classic novel Alice's Adventures in Wonderland. . . . Dalí's illustrations afford us a glimpse of Wonderland as he sees it, allowing us to better grasp the implications, tropes and symbols the work is pregnant with."—Wan Lixin, Shanghai Daily Jaques, Zoe and Eugene Gidders. Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass. A Publishing History. Ashgate Studies in Publishing History, Ashgate Publishing, 2016. Tenniel may even have added his own subtle references in the illustrations: read about the origins behind Tenniel’s illustrations. The making of the illustrations for Alice’s Adventures in Wonderland Though he did not illustrate a full edition of Alice’s Adventures in Wonderland, German surrealist painter Max Ernst was greatly inspired by the children’s novel and created many works based on Carroll’s book. Ernst’s interest in the story may have been sparked by his experience as a French prisoner of war in 1936, which he related heavily to the novel’s themes of escape and distant lands. He continued to make art in direct reference to Alice for much of his life after that, until 1970. One striking example of this is his painting Alice in 1941 (1941), depicting the titular Alice in a surrealist natural world, which appears to be painted red in reference to Carroll’s novel. Painting the roses red has many different meanings in the novel and pop culture, and here it adds a sense of illusion and disguises to Ernst’s artwork. Dorothy Newsome, Alice in Wonderland, small (12mo) softcover published by McDougall's Educational Co., Ltd., London & Edinburgh, no date, but contemporary ownership inscription dated 1933

The making of the illustrations for Alice’s Adventures in Wonderland

J. R. Sinclair, an illustrated Alice published by The National Sunday School Union (London) in the Red Nursery Series (bright, pictorial paper-covered boards), no date (c. 1900–1910). Also in plain gray cloth boards. John R. Neill (illustrator of Baum's Oz books), Alice, Reilly and Lee (The Children's Red Books), 1908 Barry Moser, Alice published in a limited edition by Pennyroyal in 1982 & Looking-Glass the same year.

The 1992 musical theatre production Alice used both books as its inspiration. It also employs scenes with Carroll, a young Alice Liddell, and an adult Alice Liddell, to frame the story. Paul Schmidt wrote the play, with Tom Waits and Kathleen Brennan writing the music. [120] [121] Although the original production in Hamburg, Germany, received only a small audience, Tom Waits released the songs as the album Alice in 2002. Basbanes, Nicholas (1999). A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books. Macmillan. pp. 210–211. ISBN 978-0-8050-6176-5.

Illustrations for ‘Alice’s Adventures Under Ground’

Helen Oxenbury, Alice published by Walker in a signed limited edition in 1999 & Looking-Glass in 2005 Oxenbury won the Kate Greenaway Medal and the Kurt Maschler Award for Alice According to Lewis Carroll, Tenniel also drew the rattle the wrong way. In a letter to Henry Savile Clark, dating November 29, 1886, Carroll states that Tenniel had drawn a watchman’s rattle (used to sound an alarm) in stead of a child’s toy rattle. He was certain that the latter was meant in the old nursery rhyme ( Gardner 227). When it came out, Tenniel again was dissatisfied with the printing quality of the illustrations. Although Carroll suggested to Macmillan that the second batch of printed copies should be destroyed, this did not happen and no books were recalled ( Jaques and Gidders 53). Illustrations for ‘Alice’s Adventures Under Ground’ Reception [ edit ] Alice in Wonderland by George Dunlop Leslie, 1879, depicting a mother reading the book to her child

Lecercle, Jean-Jacques (1994). Philosophy of nonsense: the intuitions of Victorian nonsense literature. Routledge. ISBN 978-0-415-07652-4. Fanny Y. Cory, first Alice in 1902, then a combined Alice and Looking Glass in 1905. Both by Rand McNally. Harry Rountree, published by Nelson in 1908. There was also a new edition published by Collins in 1928 with new illustrations by Rountree. Blake’s work often includes elements of collage, and his contributions to the cover art of musicians like the Beatles, The Who, and Band Aid have contributed to his reputation as The Godfather of British Pop Art. In 1970, Blake presented the world with his interpretation of yet another British cultural classic: Through the Looking-Glass and What Alice Found There, Carroll’s 1871 sequel to Alice’s Adventures in Wonderland. Rene Cloke, Alice published by Gawthorn in 1943 and Looking-Glass in 1950. These illustrations were also published by the Waverly Book Co. and the Educational Book Co. Besides the Gawthorn, which is best known, she published another, different set of illustrations with Dean and Son in 1969, and a third different set in The Radiant Way: Fourth Step, in 1934.Palmer, Robert (14 November 1993). "Tom Waits, All-Purpose Troubadour". The New York Times. ISSN 0362-4331. Archived from the original on 5 February 2022 . Retrieved 5 February 2022. The drawings were] originally printed alongside the rise of 1960s psychedelia, we can return to examine the curious collaboration between one of the most prolific 20th-century dreamers and one of the 19th-century's most influential fantasies."—Allison Meier, Hyperallergic Alíkī in the Land of Wonders (1951) is the Greek translation of the Classics Illustrated adaptation of Alice. This version of the story marked the first-ever translation of what was originally a Victorian children’s novel into Modern Greek. The Classics Illustrated editions of Carroll’s story were illustrated by Alex A. Blum, a Hungarian-born comic book artist who worked on projects like Purple Trio, Neon, and Strange Twins for a company called Quality Comics. Throughout the next several decades, the story of Alice’s Adventures in Wonderland proved its adaptability time and time again with interpretations like these. No matter what is happening in the contemporary artistic landscape, themes from Alice can combine nicely with modern, fresh work. a b Douglas-Fairhurst, Robert (20 March 2015). "Alice in Wonderland: the never-ending adventures". The Guardian. Archived from the original on 1 December 2021 . Retrieved 26 January 2022.