Lighting that can be controlled remotely would be ideal for solo photographers. Nothing is more inconvenient than walking over to the light and returning to the lens to see how it appears. How to Become a Professional Portrait Photographer (+ Course) A Guide to Stunning Butterfly Photography (17 Expert Tips) Silhouette Photography: The Ultimate Guide (+ 22 Tips) Landscape Photography Composition: 17 Expert Tips While the original C120D came in at 6000K, the C120D II has a perfect 5500K daylight, allowing it to perfectly blend with other daylight-balanced lights in the Aputure ecosystem. Separated light control design creates well-balanced center of gravity, eliminates use of weight bags In 2014, Aputure was founded. Its name was a play on combining the cinematography term " aperture" with "future."

Aputure officially announces “Light This Location 2019” contest" News Shooter. Retrieved 2020-03-15. The C120D II boasts an incredible luminance of 135,000 lux at 0.5 meters away with the Aputure Fresnel. With an approximate brightness equivalent to a 1,000-watt tungsten light, the C120D II is nearly 25% brighter than the 1st generation C120D, making it competitive with some of the highest-grade studio lights on the market. The LS C120 II has a CRI of 96 and a color temperature of 5500K. Its TLCI has also been estimated to be as high as 97. A high grade indicates that illumination will portray colors well in a film or photographic environment.https://images.wedio.com/images/listing_images/images/1963252/thumb/aputure-120d-light-60133200.jpeg Supports wireless DMX adapters to control light with Smartphones, Tablets or Laptops (not included.)

Aputure LS C300d hands on review – Big output at an affordable price" News Shooter. Retrieved 2020-03-15. Because of the light fall-off and projected shadows, it also looks like he’s being lit by a motivated light source—like a ceiling light. It’s nice, but it also feels quite dramatic. As far as the colour rendering goes, above you can see the light recorded an average CRI (R1-R8) of 96.6 and an extended CRI (R1-R15) of 95.0. For accurately reproducing skin tones it recorded 97.6 for R9 (red), 98.6 for R13 (closest to caucasian skin tones), and 97.1 for R15 (closest to asian skin tones). These figures were very impressive and tell me that the light is very accurate in producing correct colours. Spectral distribution of the Aputure 120d on the left and a tungsten bulb on the right. The company was founded in 2005 when Xie first began the company as an online electronics store and used his hobbyist knowledge to keep up with camera-related trends and technology. With the growth of this business, Xie started creating small camera accessories like monitors and adapters before moving on to light-emitting diodes also known as LED. During this project, Xie travelled to Los Angeles where he met with Ted Sim and other Los Angeles filmmakers to develop his initial designs. Within three years, the team was contracted by several large cinema manufacturers to begin producing light fixtures under their own in-house brands, many of which became the first-ever companies to introduce LED lighting to studios and production houses. [1] Origins [ edit ] You've learned about all the pros and cons of Aputure 120d II in this article. What's the next step?A re-designed yoke construction accommodates an expanded range of motion with over 330 degrees, letting you angle and point your light anywhere needed. An improved user-friendly handgrip design also allows for highly intuitive controls. Featherweight Design Erik is an 18 time Emmy award-winning DP, with over 20 years experience in photojournalism, working in newsrooms all over the USA. The result was Aputure's first lighting product, the Amaran series of LED panels. [2] [3] Amaran panels were lightweight fixtures that differed from traditional cinema lighting that was almost always heavy and intended exclusively for use by studio crews.

DMX is the worldwide industry standard for film & television studios, theatre, broadcast, and all forms of digital networking systems. The C120D II comes with DMX capability, allowing studio creatives to maximize their range of uses for their lighting arsenal. A funny thing happened on this journey.As I mentioned at the start, I did a little self-portraiture in my shed for a project I’m working on. I shared the image with Aputure and it’s now in their catalog! So, that was kind of cool… While the C120D II boasts an impressive studio grade build quality, it still weighs in at just over 2.2kg (4.85lbs) allowing filmmakers to easily take this light anywhere without having to worry about the transportation issues that frequently come with larger tungsten fixtures. The Brightest or the Dimmest I recently reviewed the MC series and the new 300D MK II and it seemed like an oversight to not spend more time with the 120D II. As a longtime user of the first generation 120D, I was particularly interested in the design updates in the second generation. Is it worth upgrading? Or, if you own the original 120D are you okay waiting? Let’s dive in.The phosphor is the bit that gives the LED light its color temperature (The D or the T) The version I have is called the 120D,the D is for Daylight.This means it’s closely daylight balanced, as opposed to the other model, the 120T which is more closely tungsten balanced. If you’re super interested in how they’re made, search on YouTube, it’s pretty interesting. Anyways…

So now that the facts and figures are out of the way, what sort of scenarios would you use a light like the 120d in? Well depending on what type of attachment you put on the front, the light could be used for multiple purposes. If you already own a lot of lights and don’t need this to be a multi purpose solution I would be inclined to use the 120d as a bounce light to create a nice wide/soft source. Just bouncing this light into a ceiling, wall or piece of polly board works really well. When you just need some extra light and don’t want to make it obvious that you are using additional lights then using it indirectly works a treat.While the Light Dome and Lantern are both light-modifying tools that soften and evenly spread hard light, there are significant differences between the two tools. But, because they look (and cost about) the same, some new filmmakers may find themselves asking what those differences are. Let’s take a look. How to Make a Collage in Photoshop (9 Easy Steps!) AI Editing in Lightroom: How to Supercharge Your Portrait Workflow Retouch4me Color Match Review: Professional Color Grading Made Easy White Balance in Photography: The Essential Guide