Gotham City: Year One (2022-) #1

£9.9
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Gotham City: Year One (2022-) #1

Gotham City: Year One (2022-) #1

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For now I will say that King’s writing style fits the noir aesthetic he’s going for, but that praise is dependent on future issues having less constant narration and more diegetic storytelling. In addition to the motif of decay under a veneer of prosperity, something that the comic is obviously going to focus on is race. Private Eye Slam Bradley is thrown into the middle of the case and will do everything in his power to rescue this baby girl. Me ha gustado, aunque para estar guionizado por Tom King, uno de los mejores guionistas actuales, no ha llegado al nivel que esperaba. In other words, King's penchant for lifting other stories and applying a new coat of paint leads to generally mixed results.

Since Constance Wayne and Slam Bradley banged, he could in fact be baby Thomas Wayne's true father and Batman's grandfather, making the caped crusader 1/8th black. The way that city politics, class conflict, scandal, and prejudice all seem to work together reminds me a bit of the movie Chinatown, which can only be a good thing. A few instances of it are a slog, but Hester and Gapstur really set the tone perfectly between pencils and colors.The opening’s brutality is visceral, as Slam’s narration about how he mostly just took whatever path in life was simplest is contrasted with bloodshed and violence. Regardless of who he is, Bradley finds himself dropped into the midst of a kidnapping plot that kicks off with echoes of the Lindbergh baby snatch.

La mayoría de las personas que ves dudan demasiado de sí mismas, del mundo y de Dios para matar a alguien y correr el riesgo de condenarse. I'm not sure I liked the new revelation on how Crime Alley was named or that Gotham was a sunny place where people didn't lock their doors until the events of this book. Still, it's a Black Label book and probably not a part of continuity, although it's DC so does that really matter? As Slam unravels the mystery of the missing baby, he's also unraveling the seedy underbelly of police corruption and racism in Gotham.The series has thrown one major twist after another at its readers, but ultimately that’s what everything comes down to. If you’ve been reading this book expecting some huge revelation about Batman and Slam, you might feel slightly disappointed. Year One stories in DC are always important origin stories and it’s pretty cool to now present one for the most popular fictional city in pop culture. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. The bold lines and dark shadows are perfect for emulating that “city lights streaming in through a pair of blinds” aesthetic that one expects.

Recomendable, solo, si no te importa que Batman no participe en la historia ni esperas al mejor King en este tomo autoconclusivo de 192 páginas. And having ranted, do I now find myself in a similar situation by using "N-word" and "fuck" in the same paragraph?King and Hester, along with Eric Gapstur, Jordie Bellaire and Clayton Cowles, launch Gotham City: Year One on October 4. There are limitless possibilities for an environment that has evolved as many times as this one has since 39.

Whites are described as rioting racists wanting only to do with people of the same complexity, while others are benign and logical in motivation. After Constance tells Sam what happened, she turns and shoots Richard in the head, killing him instantly.So far everything has been handled with a deft hand and I’m enjoying the way that such a serious topic is being woven into the story (though having such a serious warning at the beginning did make it a bit ridiculous when the comic made sure to still censor any swear words. Wayne is namely: a drunk, a gambler, a womanizer, a wife beater, a rapist, a mass murderer, and most importantly - a racist. The final reveal about what happened to Helen hurts worse than any of the other accusations and theories throughout the book. I'm not sure if it was the colorist or just how suited he is for this kind of narrative, but his work here looks night and day compared to other stuff I've seen him do. It’s difficult to say at this point whether the extended introduction will be worth it, but the hooks are enough to make you want to come back to learn more.



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