Geoffrey Household - Taboo: Zweibergen, a village in the Carpathian Mountains, summer 1926. Loner Shiravieff is forced into union with Vaughan and his wife Kyra when three local men go missing in the forest. The peasants are convinced that a werewolf is responsible and, surprisingly, Vaughan agrees with them after his own fashion. He and Shiravieff take it in turns to act as bait and lure out whoever or whatever is responsible. A figure crawls from a cave under the spring ...... With such a weight of contention, any attempt at a list of ‘best’ horror novels is doomed to disagreement. That’s fine. All lists are subjective. We have, however, tried to celebrate the breadth of horror—to highlight those books that establish something about the genre or push it forward into new realms. It’s worth noting that we have confined our choices to novels. Short horror fiction has a parallel ­­but distinct history that would require a survey all of its own.

A U.S edition of the first Pan book was released by Gold Medal, an imprint of Fawcett Publications, and books 3, 4 and 5 were released by Berkley Medallion. While the first book was complete in its contents, the other three books gave only a small selection of their UK counterparts. There is no evidence to support PBoH #2 ever having a US release. Where did the idea for Lost Boycome from?Henry has an 11-year-old son who was obsessed with the story of Peter Pan when he was five. They would watch the 1953 Disney animated film and read the story over and over again.From around volume nine there was a stronger focus on fresh talent rather than established authors and provided some much needed exposure for new writing talent. Kids have to live in an unjust world, too, and they see that unfairness and injustice and, sometimes, horror, whether we adults like it or not. Lost Boyis the story of Jamie beginning to truly process the lifetimes of horror he has witnessed during his time with Peter. While this book is intended for adults, not children, Henry doesn’t spare the horror because of the characters’ young age. “People talk about kids like they’re really innocent,” said Henry, “but I always say that the reason why Roald Dahl’s books have been so successful for so many years is because Roald Dahl doesn’t pretend that the world is a good place. He believes that bad things happen and bad things happen to kids and that’s present in all of his books: an awareness.” All those times I was experiencing Peter Panwith him, I started thinking, why does Captain Hook hate Peter Pan so much?” Henry said. “Why does this adult hate this kid?”It was a question that sparked a novel.“I always say, if there was no Henry, then there would be no Lost Boy.” Stanley Ellin - The Speciality Of The House: Laffler introduces his underling Costain to the delights of Shirro's restaurant, the finest men-only meaterie one could ever wish to find, especially when "Lamb Amirstan" is on the menu ....

I'm hugely indebted to Mr Duncan Ball, who very kindly provided me with scans and contents listings for the volumes I had missing - many thanks to him. Due to his contribution, this is now a complete listing of all thirty volumes.

All Various Reviews

It’s this empathetic, relationship-driven question that drives the thrust of the Lost Boynarrative, and makes the booka fascinating exploration of boyhood, friendship, and the intersection of the two. Furnishing lists of choice, from the Women’s Prize to Waterstones Thriller of the Month, Mantle publishes high quality writing and brilliant storytelling with a broad appeal that often features stories of ‘the outsider’ — those unsung heroes and heroines who change things for the better. Guy Preston - The Inn: Frank Metheun, stranded on the mist shrouded Cumberland moors, chances upon an early theme pub with an extremely off-putting sign: Some of the stories included featured works from authors such as Peter Fleming, C S Forester, Ray Bradbury and Bram Stoker.

One of my all time favourites of the Not at Night’s, and the climactic pursuit across the rooftop is genuinely exciting. Whatever Henry puts her mind, and pen, to next — whether it be a fresh spin on an old tale or something less explicitly connected to our “eternal game of telephone” — I’ll be reading. As a result of reading the more trashy stories in the 1980s I was inspired to read more in the series and this provided exposure to classic authors and their deeper story-telling in the earlier editions.

Fiction Bestsellers

One of the things I was trying to get at in the book,” said Henry,“is the way groups of boys can be both really brutal with each other in a careless way, but also really tender and how they’ll tend to follow the most charismatic leader. And, obviously, Peter’s a charismatic leader. And so they follow him.” Growing up in the 1970s and ’80s, a series of books featuring collections of short horror stories fed my hunger for interesting horror stories at an affordable price, that series of books was the ‘Pan Book of Horror Stories.’ I was predisposed not to like Lost Boy: The True Story of Captain Hook, a Peter Pan prequel from the point-of-view of Captain Hook. Not only is Peter Pan one of my favorite stories of all time, but I worried that this book was simply jumping on the Villain Retelling Bandwagon. I should not have doubted author Christina Henry, who also successfully added to and commented upon Alice in Wonderland canon with her novels Alice and Red Queen. The characters and world of Peter Pan is in safe hands. The story of Lost Boy.

The thing that first attracted me to the books was the lurid cover design that would sometimes thrill, occasionally titillate but usually disgust and intrigue. Combine the strong, vivid cover designs together with stories from new authors as well as classic authors and you had a winning combination. Access-restricted-item true Addeddate 2023-01-12 09:30:58 Bookplateleaf 0002 Boxid IA40407813 Camera Sony Alpha-A6300 (Control) Collection_set printdisabled External-identifierAll in all this is a great collection of stories, for both the Pan Horror novice who wants to find out how our definitions and attitudes toward what we classify as horror have changed over the years, or for the Pan Horror enthusiast to replace their dog-eared copies of the original book and revisit the early days in the series history. The Tempest is one of my favorite Shakespeare plays and I’ve always wondered what happened to Miranda after. And I liked to imagine her older, like who is she now? That’s something I might write someday …I’ve [also] been really toying with a kind of post-apocalyptic Red Riding Hood. Our Non-Fiction publishing is going from strength to strength, sharing stories that make a powerful, human connection with their readers. Personal highlights were The Horror in the Museum by Hazel Head, a story about the horrors of working in a waxwork museum after dark, and Bram Stoker’s The Squaw in which a cat (as illustrated on the front cover) takes revenge on a man for accidentally killing her kitten. Also included is a A Brief History of the Horrors by Johnny Mains to get you up to speed on exactly why these books are considered a standard in the history of British Horror anthologies.