Links to scores of each symphony have been included. All the symphonies in this table except Nos. 2, 3 and 37 (which are spurious) have links to scores in the Neue Mozart-Ausgabe; the spurious symphonies Nos. 2, 3 and 37 have links to scores at the International Music Score Library Project. Unfortunately, Mozart has written a lot of symphonies that were either destroyed, unfinished, unpublished, or lost but, some are fortunately included in his list of symphonies. It was actually discovered that Mozart had written 52 symphonies. Symphony In G Major K Anh. 221 (45a) "Old Lambach" = G-dur "Alte Lambacher" = En Sol Majeur "Lambach" The “Paris” symphony, as it is known, is one of Mozart’s most invigorating and “noisy” as Mozart’s father put it, fitting for the French. The first movement is among his greatest, building tension to an exciting finish. The second movement is usually an Andantino, but there are actually two different second movements for this piece, one in 6/8, one in 3/4. Atypically, it is only three movements, omitting a classical Minuet and moving straight into an Allegro. This is less of a show of Mozart’s melodic prowess and more of a demonstration of his dramatic powers. Mozart’s dislike of Salzburg can be seen in his letters and in his music. It appears that he only accepted the position there because of the town’s lucrative income, and that he never mentioned it to anyone favorable. Mozart frequently voiced his dissatisfaction with the restrictions placed on him as a result of the restrictions imposed by the Archbishop.

Favorite Moment:While I the opening theme is a simple genius and I love the violin interplay in the fourth movement, my favorite section is this blending of winds and violins in the Andante; a precursor for the masterful orchestration in the Andantes of the later symphonies.However, thanks to the release of recordings by some of the world’s most renowned orchestras, symphonies have begun to gain popularity in recent years. There is no longer a need to limit music listening to live performances; it is now possible to listen to the music whenever and wherever you want. Who Wrote Many Symphonies? His full name is Wolfgang Amadeus Mozart, born on January 27, 1756, in Salzburg, Austria, and baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart, archbishopric of Salzburg [Austria], who died on December 5, 1791, in Vienna, Austria, making him one of the Mozart and his father returned from their last stay in Italy in March 1773. His father’s benefactor, Archbishop von Schrattenbach had died and was succeeded by Hieronymus von Colleredo. Upon their return, the new archbishop appointed young Mozart as assistant concertmaster with a small salary. During this time, young Mozart had the opportunity to work in several different musical genres composing symphonies, string quartets, sonatas and serenades and a few operas. He developed a passion for violin concertos producing what came to be the only five he wrote. In 1776, he turned his efforts toward piano concertos, culminating in the Piano Concerto Number 9 in E flat major in early 1777. Mozart had just turned 21. Mozart adopts a French style of orchestral music in this symphony, written in 1778. The string players are pushed to the fore and the wind section is larger than usual – he even uses clarinets. Rushing scales and lively dynamic changes give this symphony a playful character. The symphony numbers in the range 42 to 56 are sometimes used for symphonic works that were not numbered in the 1-41 sequence. They have been included for completeness, although they are out of chronological sequence. In addition, some authentic symphonies were never given numbers. The symphonies in the 1-41 chronological sequence have been listed first; the symphonies that were given the numbers 42-56 are listed next; and lastly are listed the remaining symphonies. The symphonies given numbers past 41 are sometimes listed with "GA" preceding the number, because these numbers were from the

This is a list of symphonies by the classical composer Wolfgang Amadeus Mozart. Symphonies No. 2 (attributed to Leopold Mozart) and 3 (written by Carl Friedrich Abel) are spurious. Mozart's "37th symphony" is actually Michael Haydn's 25th symphony; Mozart only added a 20-bar slow introduction to it. Some symphonies of uncertain authenticity were included in either the Alte Mozart-Ausgabe or the Neue Mozart-Ausgabe; they are in this list but marked as uncertain or spurious (in the cases of K. 16a and K. 98, which later scholarship demonstrated have nothing to do with Mozart). No. 11 (K. 84/73q) is considered by scholars to be of uncertain authenticity. Further spurious and doubtful symphonies can be found at Mozart symphonies of spurious or doubtful authenticity.In December 1769, Mozart, then age 13, and his father departed from Salzburg for Italy, leaving his mother and sister at home. It seems that by this time Nannerl’s professional music career was over. She was nearing marriageable age and according to the custom of the time, she was no longer permitted to show her artistic talent in public. The Italian outing was longer than the others (1769-1771) as Leopold wanted to display his son’s abilities as a performer and composer to as many new audiences as possible. While in Rome, Mozart heard Gregorio Allegri’s Miserere performed once in the Sistine Chapel. He wrote out the entire score from memory, returning only to correct a few minor errors. During this time Mozart also wrote a new opera, Mitridate, re di Ponto for the court of Milan. Other commissions followed and in subsequent trips to Italy, Mozart wrote two other operas, Ascanio in Alba (1771) and Lucio Silla (1772). Recording by Leonard Bernstein conducting the Vienna Philharmonic. A little slow for my taste but one of the best available on Youtube. Concert chamber music has grown in popularity in recent years, despite the fact that symphonies were originally composed for large orchestras. The reasons for this are simple: orchestral music is louder, and listeners are more easily able to identify individual instruments. The chamber music, on the other hand, is frequently subtler and allows the performer to fine-tune their technique. Despite his success with the compositions, Mozart was growing discontent with his position as assistant concert master and the confining environment of Salzburg. He was ambitious and believed he could do more somewhere else. Archbishop von Colloredo was becoming impatient with the young genius’s complaining and immature attitude. In August 1777, Mozart set out on a trip to find more prosperous employment. The archbishop wouldn’t give Leopold permission to travel, so Anna Maria accompanied Wolfgang on his quest to the cities of Mannheim, Paris and Munich. There were several employment positions that initially proved promising, but all eventually fell through. He began to run out of funds and had to pawn several valuable personal items to pay traveling and living expenses. The lowest point of the trip was when his mother fell ill and died on July 3, 1778. After hearing the news of his wife’s death, Leopold negotiated a better post for his son as court organist in Salzburg and Wolfgang returned soon after. Making it in Vienna

Favorite Moment:Building off the comment on appogiaturas above, the third movement, the Minuet, can either be one of my favorite Mozart movements or a forgettable let down. In the Krips version I linked above, the appogiaturas are played as eight notes on the beat giving the lilt necessary for a dance piece and the rousing momentsa sense of grandeur (compare to this performance where the appogiatura are played as grace notes.) The symphonies K. 19b, 66c, 66d, 66e, Anh.C 11.07, and Anh.C 11.08 are lost, and it is uncertain whether they are Mozart's work: they have not been included in the list below. The first and second movements together constitute the overture to the opera Il sogno di Scipione, K. 126. The third movement is listed separately as K. 161/163. Leopold was a devoted and task-oriented teacher to both his children. He made the lessons fun, but also insisted on a strong work ethic and perfection. Fortunately, both children excelled well in these areas. Recognizing their special talents, Leopold devoted much of his time to their education in music as well as other subjects. Wolfgang soon showed signs of excelling beyond his father’s teachings with an early composition at age five and demonstrating outstanding ability on harpsichord and the violin. He would soon go on to play the piano, organ and viola.Leinsdorf SERVES Mozart here. If you are a fan of Toscanini or George Szell, and their Mozart, wishing for an integral recording of the Symphonies by then, this is as close as you will be able to get. Symphonies 1-20 are in stereo; 21-41 are mono. The mono sound is very clear and not congested, and I enjoyed the mono recordings as much as the stereo ones. Erich Leinsdorf is best known in the United States from his RCA recordings of Romantic and 20th century repertoire with the Boston Symphony from the 1960s, but he also recorded – here released anew by Universal – the first integral cycle of Mozart’s Symphonies in the late 1950s with the “Philharmonic Symphony of London”, actually Sir Thomas Beecham’s Royal Philharmonic under a different name. Favorite Moment:The driving string theme in the first movement. The development section soon after. The tutti sforzandos in the second movement. The entire fourth movement is unmissable.