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The Jews’ presence at such eye-catching events reinforced their feeling of belonging among their non-Jewish peers. Visual and textual images have long contributed to how Jews have defined and managed their identity—that is, how they see themselves as both self and as other within the Jewish fold and vis-à-vis the non-Jewish world. While it was not unusual to include biblical scenes in tableaux vivant programs, the press honed in on the imagery in the Bendemann tableau and contrasted the plight of the Jews in Babylonia with those in the glittering rooms of the Palais Todesco.
She argued that the program displayed “an unconscious portrayal of a partially assimilated Jewish middle class,” the composite identity of the Todesco family. His choice of surname and costume reflect the Francophilia characteristic of the aristocracy in North America, England, and Russia.During the Second Empire, state dignitaries and ambassadors in Paris joined the scene, hosting balls during the carnival season, which were often funded by their office. Fancy dress costume entertainments uniquely suited identity games because they leveled the sartorial playing field, eschewing the dictates of conventional clothing. The album of Montagu’s eldest son, Louis, who was only eighteen years old in 1887, shows historical and Oriental costumes at the same ball that were photographed from several angles. A second procession, “The Triumphal March of Queen Esther,” featured officers of the Persian court, Mordecai carried on a sedan, lance-bearers, high priests, the triumphal chariot of the Queen, parasol bearers, camels, Bedouins, Arabs, men blowing the shofar, and the twelve tribes of Israel.
Another tableau, The Marseillaise (a Paris street scene in the days of the French Revolution) featured Stephan von Schey, son of an ennobled Jewish financier, and others. The Baron dressed again as Louis XIII, accompanied by his wife as Queen Anne of Austria, and their son, in the role of a page, also in period dress. and his wife posed as a living portrait of Thomas Gainsborough’s Duchess of Devonshire (1785–1787) (Figs.
We feature fancy dress costumes, wigs, exciting accessories in all sizes ranging from infants, boys, girls, teens, men and women.
Elderly residents from the local Jewish nursing homes came together with professionals from across Canary Wharf for food (especially deserts! The British and French press continued to notice the costume balls of the wealthy, including those attended by Jews, whose opulent costumes made social statements.On one occasion, hearing that someone else had chosen to impersonate his favorite French king at a forthcoming ball, he reportedly spent over 10,000 dollars on another costume, a suit of armor inlaid with gold. This festival commemorates the Jews’ ancient victory over the evil Haman told in the biblical Book of Esther. The Kent and Sussex Courier, a provincial newspaper, reported on the Salomons grand fancy dress ball on April 17, 1879, at his country estate, Broomhill, near Tunbridge Wells. The five Literary and Art Society fancy dress balls lacked Jewish character, and conformed to the norms and costume genres of non-Jewish balls. Michel Ephrussi dressed as an exotic, orange, South American bird, a cock-of-the-rock, sporting orange feathers, orange tulle, and wings; Baroness Gustave de Rothschild impersonated a bat; and her daughter-in-law attended as a panther, wearing embroidered velvet resembling the animal’s skin and a panther’s head in her hair, which was held in place by a diamond crescent.
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