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BLACK RAINBOWS

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Since then, the song has become a staple of easy listening channels and kindred playlists, even spinning off one viral cover. The stunning “Peach Velvet Sky,” meanwhile, is a sparkling and bittersweet ballad inspired by Harriet Jacobs, author of the 1861 book Incidents in the Life of a Slave Girl. Anyone in the vicinity of a radio around 2006 heard “ Put Your Records On,” Corinne Bailey Rae’s warm ode to feeling relaxed and fulfilled in the moment.

The softer turns on Black Rainbows feel nearest to Rae’s earlier material, but those, too, subvert expectations.

In parallel with the themes of deliverance that Rae presents throughout the album, “Peach Velvet Sky” honors a life spent working toward freedom around challenges that never seem to sleep. Next, a smart sequencing of mostly great songs, including the astonishing He Will Follow You With His Eyes, a coquettish, jazzy number that transmutes into something wild and magical as she blankly intones lines such as “my black hair kinking, my black skin gleaming” while the song disintegrates around her. Use of this site constitutes acceptance of our User Agreement and Privacy Policy and Cookie Statement and Your California Privacy Rights. Black Rainbows received a score of 91 out of 100 on review aggregator Metacritic based on seven critics' reviews, indicating "universal acclaim".

Earthlings” chugs on a mechanical synth as Rae invites us to a new utopia, and warm ripples of jazz guitar ebb into the mix like distant radio waves. Jordan Bassett of NME remarked that the album "swings from crunching glam-punk to skronking experimental jazz that wouldn't sound out of place on David Bowie's Blackstar. Even better is closer Before the Throne of the Invisible God, on which, metamorphosis complete, she becomes an east Pennine Alice Coltrane. Record Collector 's John Earls wrote that Black Rainbows "magnificently roars around garage rock, jazz and even, on Erasure, Black Flag hardcore", concluding that "although Bailey Rae is hardly prolific – this is just her fourth album – she's worth the wait". MusicOMH 's John Murphy found it to be "a huge change in direction for Corinne Bailey Rae, a big, sprawling album that bounces between genres and flies off in directions you'd never expect".

They tried to eviscerate you/Hide behind the curtain/Make you forget your name,” she howls, wrapping imagery of censored photographs in barbed-wire guitar lines and a pummeling rhythm. Rae has spoken about a personal metamorphosis inspired by a 2017 visit to the Stony Island Arts Bank in Chicago, a sprawling archive of Black life piloted by multi-disciplinary artist Theaster Gates. Later, Rae splits the difference between Eartha Kitt and Kate Bush in the smoky closing track “Before the Throne of the Invisible God,” with chimes ringing among soft woodwind curlicues. The song is Rae’s imagining of Jacobs hiding in an attic near the plantation from which she’d escaped, where she could watch her still-enslaved children in secret from a hole in the wall of her hiding place.

Pitchfork may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. In moments like these, Black Rainbows feels like far more than the result of a pivotal museum trip or old teenage dreams revisited. She purrs about the perils of beauty standards on “He Will Follow You With His Eyes” before she drops the dreamy façade and celebrates her Black skin, her favorite lipstick, and her kinky hair over an electronic morass. Bailey Rae originally planned Black Rainbows as a side project, a freewheeling meditation on the history of Black experience she discovered at the Stony Island Arts Bank archive in Chicago. For the first time in her solo catalog, Black Rainbows strikes directly at those formative tastes; Rae indulges the affections of her younger self without succumbing to cheap pastiche.The first two songs are a sluggish entry point to the Bailey Rae renaissance, before the album explodes with post-punky Erasure, its transgressive fury a pure catharsis mediated through her distorted voice. Rae immersed herself further in Stony Island’s collection of “Negrobilia,” absorbing the harrowing narratives of abuse and indignity that she contemplates in “Erasure. It tumbles into a club-adjacent beat, with Rae singing as though she were shouting over the din of the dancefloor.

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