Jan Saudek

Product Information

The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Covering his debut in the 1950s through his lesser-known work to recent images, this dazzling collection offers us the true ""velvet revolution,"" fertile and unsettling images from the dreams we might still have.

The espionage tools of the 1960s look primitive to a degree but they, too, have changed to conform to the current applications and tools used for cyber warfare and propaganda purposes.During the 2000s, Saudek lost all his photo negatives in matrimonial dispute and his pictures are now displayed on internet for free.

After completing his military service, he was inspired in 1963 by the catalogue for American photographer Edward Steichen's The Family of Man exhibition, and began to work to become a serious art photographer. As the official publication of The Bob Dylan Center, BOB DYLAN: MIXING UP THE MEDICINE is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate’s many musical fans and to a broader national and international audience as well. Based on the Eye Mama Project, a photography platform sharing a curated feed by photographers worldwide who identify as mamas, the Eye Mama book brings together more than 150 images to render what is so often invisible―caregiving, mothering, family and the post-motherhood self― visible. From Sudek to Saudek- Czech Photography in the 20th Century, The Eli Lemberger Museum of Photography, Tel-Hai, Israel, 1998.

Jan Saudek and his twin brother Karel (also known as Kája) were born to a Slavic (Czech) mother and Jewish father in Prague in 1935. Photographer and film director, Michel Haddi has photographed many high-profile celebrities while living in the USA including, Clint Eastwood, Martin Scorsese, David Bowie, Uma Thurman, Francis Ford Coppola, Cameron Diaz, Faye Dunaway, Nicholas Cage, Johnny Depp, Heath Ledger, Angelina Jolie, Janet Jackson, Jennifer Lopez, and many others. Contentious material about living people that is unsourced or poorly sourced must be removed immediately. In 1959, he started using the more advanced Flexaret 6x6 camera, and also engaged in painting and drawing. During the 1990s, his work at times generated censorship attempts in the West because of its provocative sexual content.

Réhahn discusses his groundbreaking new photographic series ''Memories of Impressionism,'' his artistic journey during and after Covid, and how modernity can draw inspiration from the past. Foto-Ausstellung von Jan Saudek in Prag eröffnet" [Photo exhibition by Jan Saudek opened in Prague] (in German).Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous. Jan Saudek-Photo, and Jiri Masin Milos Macourek, House of Lords of Kunštát, Brno, Czech Republic, 1970. The Need to Know, a photo book, is my exploration of the meager details that emerged from brief and cryptic conversations with my father and my curiosity about Cold War espionage and its impact upon my family at the time.

Edited by Mark Davidson and Parker Fishel, BOB DYLAN: MIXING UP THE MEDICINE focuses a close look at the full scope of Dylan’s working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. Eye mama was created by BAFTA-nominated filmmaker and photographer Karni Arieli during the pandemic, when everyone around the world was in lockdown and spending more time in the home, often consumed by caregiving.His later works often portrayed the evolution from child to adult (re-photographing the same composition/pose, and with the same subjects, over many years). The Eye Mama book is a photographic portfolio showcasing the mama narrative and the mama gaze, what female and non-binary photographers see when they look at, and into the home. The images reflect the artist's eagerness to assimilate back into a home that feels at once foreign and familiar. She studied a variety of studio arts, including drawing, painting, and printmaking in addition to her training in traditional film and darkroom photography.