Cleopatra and Frankenstein: ‘Move over Sally Rooney: this is the hottest new book’ - Sunday Times

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You have to be okay with unlikeable characters to read this book. You have to be willing to go on a journey that doesn't necessarily leave our protagonists shining and shimmering in the end. And I would've appreciated a bit more time to have the characters really dig into their issues, to grapple with the fact that the world is much bigger than just the two of them; though in some ways I think that's part of the point Mellors is trying to make. This book caught me by surprise. I wouldn't consider myself a fan of contemporary relationship novels, but this one - I loved. Cleopatra and Frankenstein” is a compelling read for reasons beyond the core dynamic. The narration alternates between side characters’ perspectives, giving a chance for readers to construct their own account of the central romance. Some such narrators include Zoe, Frank’s sister; Santiago, a mutual friend whose party led to Frank and Cleo’s meet-cute; Anders, a former Scandinavian model and Frank’s best friend; Quentin, Cleo’s best friend; and Eleanor, one of Frank’s employees at the advertising firm. They meet cute, and begin spouting off impossibly clever lines: all those sharp, witty retorts that you and I only think of twenty minutes after the fact.

Rooney has this way of bothering me. I want her characters to figure it out because for some weird reason I am invested in them. Neither Cleo nor Frank inspired those same feelings in me. From their first ludicrous encounter to the end, I found the pair simply irritating, nothing more. And all of the side characters serve to hammer home the book's whole point about how a relationship can affect those around the couple. None of them felt real or believable. Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it's Cleo's best friend struggling to embrace his gender queerness in the wake of Cleo's marriage, or Frank's financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last. Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love. This is the only part of this book I genuinely and actively disliked. Fortunately or unfortunately, it was nowhere close to enough to get me to shut up about it. Marital bliss proves to be a fleeting thingy for these two. Sure, dining in chic restaurants, and taking in the NYC art scene is fine for a while, but before long, things to begin to unravel. Cleo suffers from depression, and feels neglected. Frank drinks way too much, and may actually be falling for one of his employees. (Funny and refreshing, Eleanor, a down-to-earth gal far removed from Frank's more upscale world. I fell for her, too. Hard.)Book Genre: Adult, Adult Fiction, Contemporary, Fiction, Health, LGBT, Literary Fiction, Mental Health, New York, Romance the book perfectly captures the messiness and complexities of relationships in the modern world, especially what happens when the honeymoon phase starts to wear off and reality sets in. mellors’ exploration of relationships also feels strikingly contemporary - in a fragmented world full of such choice and chaos, it’s becoming increasingly harder to figure out what you want, what you desire, to decide what it will take to bring ‘true happiness’, a notoriously obscure concept which everyone is still desperately trying to grasp anyway. The novel then jumps ahead a few months to Frank and Cleo getting married following a whirlwind romance. The novel continues jumping through several months as the couple’s enigmatic connection unravels, affecting the lives of those around them. It's the latest in a string of literary fiction pieces that I've read that feel aspirational to that title. It's giving aggressive general fiction. Frank presents Cleo with the possibility of happiness, artistic freedom, and the chance to apply for a Green Card. Their spontaneous marriage has unforeseen consequences that alter not only their lives but also the lives of those around them. Cleopatra and Frankenstein Book Review: My Opinion

I squint into the icy sunlight. The path sparkles with a thin layer of frost. Everything is hard and bright, like I’m looking from inside a diamond”. I liked the writing style. It felt fresh and current but it was also full of almost surprising drops of wisdom. The story, though bleak in places, was full of tenderness and hope and I particularly enjoyed the ending. Cleopatra and Frankenstein Book Review: Characters What is it? It’s this chilling, anxiety-inducing moroseness. I want to strangle the characters because they’re so awkward and annoying and they’re sabotaging their own relationships. But, also, I care. I care so much. It’s a hard thing to explain to sane humans.

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There’s nothing wrong with writing books that are ripe for adaptation. Literary fiction is full of critically adored authors who hustled other jobs to pay the bills, and novels turned into series have given us some of our greatest television. But the type of enlightenment presented in certain novels, in which easy access to money makes chasing one’s art a matter only of finding oneself, ignores a world on fire with chaos and inequality. And it tends not to make for great TV either. Cleopatra and Frankenstein is definitely a character driven book rather than one with a fast paced plot. Neither Cleo nor Frank are particularly likeable characters and I found them to be quite shallow and pretentious, especially at the beginning. Mellors’ debut is an emotional, provoking and deeply relatable statement about a romantic partnership. “Cleopatra and Frankenstein” spins you around the hole of love, trauma and betrayal its characters experience, imparting lessons about how letting go might be a greater gesture of love than latching on to coupled loneliness.