In recent years, she has written three books that have proven less controversial: Visual Methodologies: An Introduction to Interpreting Visual Materials (2001), Deterritorialisations: Revisioning Landscape and Politics (2003), and Doing Family Photography: The Domestic, The Public and The Politics of Sentiment (Ashgate, 2012). Rose, G., Raghuram, P., Watson, S. and Wigley, E. (2020) Platform urbanism, smartphone applications and valuing data in a smart city. Transactions of the Institute of British Geographers. Gillian is a cultural geographer. Although her empirical research interests have shifted over time, a central theme has been the techniques and politics of knowledge production about places. Her longest-running project is the book Visual Methodologies: An Introduction to Researching with Visual Materials; its fifth edition was published in 2022.

More ?Focus? features coveringinteractive documentaries, digital story-telling and participant mapping Rose's current research interests lie broadly within the field of visual culture. She is interested in the ways social subjectivities and relations are pictured or made invisible in a range of media, and how those processes are embedded in power relations. She also has long-standing interest in feminist film theory and in Michel Foucault's and feminist accounts of photography in particular. This work has formed a crucial link between feminist geography and geography of media and communication. Lccn 2001269479 Ocr tesseract 5.0.0-rc2-1-gf788 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9948 Ocr_module_version 0.0.14 Ocr_parameters -l eng Old_pallet IA-NS-1200340 Openlibrary_edition Rose, G. (2005), 'You just have to make a conscious effort to keep snapping away, I think': a case study of family photos, mothering and familial space', in Hardy, S and Wiedmer, C (eds), Motherhood and Space: Configurations of the Maternal Through Politics, Home, and the Body, Palgrave Macmillan, pp.221–40. Melhish, C., Degen, M. and Rose, G. (2017) "The real modernity that is here": understanding the role of digital visualisations in the production of a new urban imaginary at Msheireb Downtown, Qatar. City and Society, 28(2): 222-245.Wigley, E. and Rose, G. (2020) Who's behind the wheel? Visioning the future users and urban contexts of connected and autonomous vehicle technologies. Geografiska Annaler: Series B, Human Geography. APA style: Gillian Rose, Visual Methodologies: An Introduction to Researching with Visual Materials.. (n.d.) >The Free Library. (2014). Retrieved Nov 26 2023 from https://www.thefreelibrary.com/Gillian+Rose%2c+Visual+Methodologies%3a+An+Introduction+to+Researching...-a0311050498 Clear, comprehensive, theoretically informed, and up to date, Visual Methodologies is an excellent guide to the rapidly growing field of visual research

Rose, G. (2017) Look Inside TM: Corporate Visions of the Smart City. Chapter 6 in, Fast, K., Jansson, A., Lindell, J., Bengssten, L.R. and Tesfahuney, M. (eds.) Geomedia Studies: Spaces and Mobilities in Mediatized Worlds. Routledge. pp. 97-113. ISBN: 9780367884659.More 'Focus' features covering interactive documentaries, digital story-telling and participant mapping Professor Gillian Rose contributes to a number of undergraduate and postgraduate modules in the School. Current Graduate Research Students Giulia Belloni Rose, G. (2010) Doing Family Photography: The Domestic, The Public and The Politics of Sentiment. Ashgate Press. pp. 158. ISBN: 9780754677321. As part of the work for Feminism and Geography, she drew heavily on various feminist theorisations of visuality, and since then her work has been in dialogue with various aspects of contemporary everyday visual culture. She has written on community arts projects, family photography and the visual experiencing of urban places like high streets and shopping malls. More recently her work has focussed on the visual mediation of urban spaces by digital technologies.