Death and the Conjuror: A Locked-Room Mystery

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Death and the Conjuror: A Locked-Room Mystery

Death and the Conjuror: A Locked-Room Mystery

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The police detective and the magician are great characters and I loved hearing them think their theories out loud. At the beginning of the book, the writer gives us a list of characters. At first, I got a bit anxious trying to remember everyone, but don't worry about that, it'll all come together! I’m growing quite fond of the regular characters in these stories. Joseph Spector is a bit of an enigma. A retired stage magician, he now appears to spend most of his time in a pub which he treats more or less like his office. He appears to be an einzelgänger but does have a keen interest in people and there is very little he doesn’t notice and store away for future reference. Of course, making the main character and investigator of this series a retired magician is a stroke of genius. Who could be better equipped to see beyond the sleight of hand and recognise the ways in which the seemingly impossible can be pulled off? Scotland Yard Inspector George Flint is the official investigator in these books and while it can certainly be said that Joseph Spector out-investigates him, he isn’t your stereotypical blundering yet arrogant policeman, far from it. He’s well aware of his limitations when it comes to these impossible crimes and what’s more, he is really invested in solving the cases which means he not only embraces but also seeks Spector’s assistance. He makes for a refreshing move away from a somewhat tired stereotype in mystery fiction.

An intricate, elegantly written ‘impossible’ crime that completely fooled me. Tom Mead is already a master of the art of misdirection.” I thought it was fitting to set my novel—which pays conscious tribute to the genre—right in the middle of its most productive period. So I suppose you could say that the London I’m writing about is seen through the lens of the golden age.First of all, and what annoyed me from the start, the writing style. This book is mostly dialogue, and barely any description. To me this made the story more difficult to read, and the characters felt a bit flat, because I was simply missing more descriptions of how the moved, and handled the situations. Now the characters just felt very flat, because you basically only got to know them through the conversations that were happening. The author should use more show than tell. In some ways it’s more challenging because you have fewer words to play with, so it’s not as easy to plant clues and guide the reader up the garden path. But the process itself is actually pretty similar—in my case, I might begin a short story with a single puzzle, image, idea or character, whereas I will begin a novel with a few disparate elements that I gradually weave together. What can we find you doing when you aren’t writing and reading mysteries? He is a prolific author of short fiction, and recently his story “Heatwave” was included in THE BEST MYSTERY STORIES OF THE YEAR 2021, edited by Lee Child. DEATH AND THE CONJUROR is his first novel. No matter how large or small an illusion, there is one thing to remember: your audience is in front of you. Keep them there. —The Master of Manipulation, “Ruminations” There is nothing to suggest that the character has abruptly shifted from bemusement to bitterness. At one point, the detective's case is described as "diaphanous." This odd usage didn't appear in every paragraph, but it was frequent enough to be distracting.

This is Chloe. It seems fitting for a mystery writer to have a master thief as a pet. She steals anything she can get her paws round—edible and otherwise. The epilogue didn't do it for me, however. I think the initial solution was perfectly satisfying and the author didn't need to introduce a last-minute twist. Thus far, Tom Mead has only written two volumes in his Joseph Spector mystery series. Let us all hope that he will produce many, many more. If I weren't aware that this novel is coming out in July 2023, I would be absolutely convinced The Murder Wheel came from the "golden age" of detective fiction. The puzzles are wonderfully puzzling. Joseph Spector, the central character, is a former stage magician who now works informally with Scotland Yard's Inspector George Flint as a consultant on particularly outré cases, the kind of cases that seem as if they could involve magic—though they don't because Spector is as devoted to rationcination as was Holmes. I haven’t read Death and the Conjuror, the first book featuring illusionist turned sleuth Joseph Spector, so waiting for him to appear in this one was like awaiting the start of the main act. Actually I’m being rather unfair to young lawyer and amateur magician. Edmund Ibbs, who carries a good deal of the first part of the book. I found him a really engaging, sympathetic figure although, as the book progresses, you learn that not everyone may be exactly what they seem. What, even Edmund? Well, he does find himself in a rather incriminating situation…The pacing is slow, with numerous numbing recaps and restatements. No real surprises, very pedestrian drama, and the weakest of murderers. It’s all wonderfully clever and very satisfying, even if I did only get a third of the way towards solving these mysteries. I recently had the pleasure of hearing Tom Mead discuss his Joseph Spector series at Capital Crime and immediately after the panel bought a copy of the first book, Death and the Conjuror. My review for that is coming soon but having read both novels, I am able to confirm that this sequel can easily be enjoyed as a standalone too. the characters' relationships also make no sense. Ex: the detective somehow lets a magician more or less steer the entire case. Ex: the detective and magician talk openly, in public, and even in front of witnesses/suspects, about all the details of the case, including deeply personal information they've uncovered. This somehow never has any bad repercussions.

Do you believe in magic? Well, maybe not, but I do believe in the power of illusions and magicians who are adept at practicing their craft. For the best magicians, it is of course, an art. Many thanks to NetGalley and Mysterious Press for this Advanced Reader Copy and the opportunity to review The Murder Wheel. All opinions and comments are my own. We have a large cast of characters, including Patient A, Patient B, Patient C, the doctor's daughter and her rake of a boyfriend, an actress, a producer, several maids, the staff of a hotel, and more. Just a whole slew of suspicious people and almost witnesses but there are no answers. It will take magician and sleight of hand man such as Spector to figure this one out.Is Tom Mead a time traveler? Death and the Conjuror is such a wonderful Golden Age-style mystery that it is hard to believe he wrote it in 2022! If, indeed, he is a time traveler, I hope he takes this book with him; I am sure it will be widely enjoyed.



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