White room (1991) [VINYL]

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Mellor, Christopher (February 1989). "Beam Me Up, Scotty – How to have a number one (The JAMs way)". Offbeat. Archived (via the Library of Mu) on 24 August 2007. Wikipedia:WikiProject The KLF/LibraryOfMu/94

What Time Is Love? (LP Mix) Rap – Isaac Bello Sampler [Breaks] – Lenny Dee, Tony Thorpe Synthesizer [303 Acid Factor] – Major Malfunktion Synthesizer [808's & 909's] – Manda Beatmaster Voice [Ooohs] – Cressida (2), Lindz E. Love Duo comprised of Jimmy Cauty and Bill Drummond. Cauty was born in Devon, England; Drummond was born in South Africa but grew up in the Dumfries & Galloway area of Scotland.This is what The KLF is about. Also known as The Justified Ancients of Mu Mu, furthermore known as The Jams...'

The first of their Stadium House Trilogy, it is an edit of this Live At Trancentral mix that appears on the album. The single was their first hit under the KLF moniker and reached No.5 in the UK in July 1990. Offiziellecharts.de – The KLF – The White Room" (in German). GfK Entertainment Charts. Retrieved 28 July 2016.

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Last Train To Trancentral starts right after the string section and features a completely new additional verse from Ricardo Lyte after the breakdown. Subsidised with the proceeds of an 80s novelty hit, the eccentricities, the vision and ambition of KLF, combined with their taste for acid house and anarchy, resulted in The White Room, one of the finest dance-pop albums of the 90s… The KLF The White Room cover

Meanwhile, the KLF's single " What Time Is Love?", which had originally been released in 1988 and largely ignored by the public, was generating acclaim within the underground clubs of continental Europe; according to KLF Communications, "The KLF were being feted by all the 'right' DJs". [3] This prompted Drummond and Cauty to pursue the acid house tone of their "Pure Trance" series. A further "Pure Trance" release, " Last Train to Trancentral", followed. Longmire, Ernie; etal. (2020) [1998]. "Discography: The KLF (including The JAMS, The Timelords, 2K etc.)". Archived from the original on 29 February 2020.Mixed at Lillie Yard except A1 mixed at The Townhouse, London and A3 mixed at The Manor, Oxfordshire. Capping their year of extraordinary success at the BRIT Awards, they saw the ceremony as the ideal location to carry out one last act of rebellion and announce their retirement from the music industry. After performing a raucous version of 3 A.M. Eternal with crusty punks Extreme Noise Terror, they began firing blanks from a machine gun at the stunned industry crowd. With a music press well used to their headline-grabbing antics and publicity stunts, it was best described by Select magazine. “It’s the last grand gesture, the most heroic act of public self- destruction in the history of pop,” they wrote. “And it’s also Drummond and Cauty’s final howl of disgust, defiance and contempt for a music world gone foul and corrupt.” It was the perfect epitaph. Read more: The complete guide to the KLF The KLF: The White Room – The Songs a b "The White Room - Information Sheet Eight". KLF Communications. August 1990. Archived (via the Library of Mu) on 5 October 2007. Wikipedia:WikiProject The KLF/LibraryOfMu/508