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A Maximum High

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The final tour was a sell-out success, with the last gig played on 20 December 2003 at the Barbican Centre, in their hometown of York. One further album release did, however, come of their time at Taste: their only official live album, Where Have You Been Tonight? Live. Recorded at various destinations on tour in December 2002, the album was released in May 2003, six months before the band's farewell tour began. Despite gaining a loyal and ever-growing following of fans—sometimes referred to as "Shed Heads" [9]—the band failed to receive universal positive press attention in the UK; NME never featured Shed Seven on its cover, whilst the now defunct Melody Maker did so once. [3] Post-split [ edit ] Album releases [ edit ]

WITH SPECIAL GUESTS MARK MORRISS (THE BLUETONES) / NIGEL CLARK (DODGY) / CHRIS HELME (THE SEAHORSES) PERFORMING TOGETHER AS MCH The Phantom Horns (featuring Gary Barnacle and John Thirkell) – horns, brass on "Going For Gold" and " Getting Better" Photography By [Bully Boy, Getting Better & Where Have You Been Tonight], Photography By [Paul Banks Shot] – Paul Stanley (3) In September 1994, the band released their debut album, Change Giver, entering the UK album chart at number 16 [2] and giving the group their first Gold disc. [5] Despite it spending just two weeks in the chart, the "critically underrated debut album", [10] which NME declared "an attempted stab in the face of their critics", [10] gave the band three UK Top 40 singles. [2] As well as enjoying popularity in both the UK and Australia, Shed Seven also found an audience in Thailand, where they managed to beat Take That to the Christmas number 1 spot with their fourth single release, " Ocean Pie". The following April, "Where Have You Been Tonight?", the first record to emerge from the band's collaboration with their new producer, Chris Sheldon, [5] was issued as their fifth single, peaking at number 23 [5] and continuing the band's chart-placing run. Although the single was "rush released" [11] with the intention of it being followed by a swiftly recorded second album, [11] the band failed to capitalize on the song's success as it became Shed Seven's one and only release throughout 1995. The record spawned five hit singles: ‘Where Have You Been Tonight?’, ‘Getting Better’, ‘Going For Gold’, ‘Bully Boy’ and ‘On Standby’, with the York band making appearances on Top Of The Pops no less than four different times during a momentous year. In 2021, to celebrate the 25th Anniversary of A Maximum High, Shed Seven are proud to release two new versions of their magnum opus.

Certainly, the tough, ultra-confident, tune-stuffed 'outfit' here are, Witter's emotional foghorn vocals apart, barely recognisable from the scruffy tykes on the flashy, but ultimately unsatisfying, 'Change Giver'. Indeed, parts of it are good enough to pass as someone else's second album: chiefly, the record The Stone Roses should have made instead of 'The Second Coming'. Let It Ride spent a total of 7 weeks in the UK album chart, peaking at number 9 on 13 June 1998, giving the band their second consecutive Top 10 album release. [5] Singles [ edit ] Originally released on 1st April; 1996,A Maximum HighisShed Seven’scrowning recorded achievement to date, charting at number 8 and remaining on the Official UK Album Charts for a triumphant 37 weeks. The record spawned five hit singles: ‘Where Have You Been Tonight?’, ‘Getting Better', ‘Going For Gold’, ‘Bully Boy’ and ‘On Standby’, with the York band making appearances onTop Of The Popsno less than four different times during a momentous year. Although we feel that certain aspects of the music industry have put a strain on the recording side of things in recent years, the one thing that has remained consistent throughout has been the band's love of performing live and the ability to please the fans by giving 100% every time. This is exactly what we plan to do at these last remaining shows, making a special effort to play what people want to hear. It will be a celebration, a retrospective, a Shed Seven tour to remember.

As their Major UK tour starts, acclaimed leading lights of Britpop Shed Seven have announced that Reverend And The Makers, Lottery Winners, Shambolics and Serotones will be joining them as special guests on selected dates!Writing for The Guardian in April 1996, Caroline Sullivan labelled A Maximum High "good, but not outstanding", as she praised guitarist Paul Banks's "exultant jangling", but found fault with the album's lyrical content. [12] The LP has also been referred to as "the band's most consistently engaging album (...) full of inspirational anthems [and] excellent shout-along, arena-ready numbers." [9] Alternate editions [ edit ] A Maximum High Special Edition CD cover. Photography By [Ladyman, Falling From The Sky, Lies, This Day Was Ours, On Standby & Out By My Side] – Gavin Kingcome With five UK Top 40 entries in 1996, [2] Shed Seven had more hit singles than any other act that year, [3] the high point coming with the release of their seventh single, "Going For Gold", which entered the UK chart at number 8 on 17 March [2] and remains their biggest chart hit to date. A sold-out thirteen-date Autumn tour followed, including their debut at the York Barbican Centre. The definitive band line-up released 3 studio albums— Change Giver (1994), A Maximum High (1996) and Let It Ride (1998)—along with a greatest hits compilation, Going For Gold (1999). The release of the latter was forced upon the band by their record company, Polydor, [12] after Let It Ride failed to match the album sales of its predecessor, which sold 250,000 copies in Britain alone. [3] [13] Despite the band's reservations about issuing such a compilation so soon in their career, the album went on to sell 130,000 copies [12] and featured brand new material in "Disco Down" and "High Hopes", both intended to be issued as singles. "Disco Down" went on to become the last Banks-era hit for the band, peaking at number 13, [2] whilst "High Hopes" was sidelined by Polydor in favour of a proposed re-release of the previous single, "Going For Gold". However, the band refused to comply, leading to Shed Seven and Polydor Records parting company in late 1999; [12] They belonged to the post- Smiths wave of British musicians such as The Sundays and Marion, with a sound relying heavily on complex guitar arpeggios often in a minor key, and wailing vocals. At the height of their popularity between 1994 and 1999 they had fifteen Top 40 singles [1] and four Top 20 albums in the UK. [2] The band officially broke up in 2003, but reformed for a greatest hits tour in July 2007. [1] Shed Seven continued to play shows around Britain periodically until releasing a new studio album in 2017 with the announcement of Instant Pleasures.

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