Billboard 200 – 1998 Year-end charts". Billboard. Archived from the original on 20 August 2019 . Retrieved 1 June 2020. Christgau, Robert (2000). "R". Christgau's Consumer Guide: Albums of the '90s. St. Martin's Griffin. ISBN 0312245602 . Retrieved 11 June 2020– via robertchristgau.com. Richards, Sam (8 April 2009), "Album review: Radiohead Reissues – Collectors Editions", Uncut, archived from the original on 6 December 2010 , retrieved 29 August 2011 Greene, Andy (24 September 2020). "Rolling Stone 500: Radiohead's Futuristic Breakthrough 'OK Computer' ". Rolling Stone . Retrieved 24 September 2020.

OK Computer OKNOTOK 1997 2017 (2017, Vinyl) - Discogs

a b Cinquemani, Sal (27 March 2007), "Radiohead: OK Computer", Slant Magazine, archived from the original on 9 August 2011 Kreps, Daniel (8 January 2009), "Radiohead, Neutral Milk Hotel Help Vinyl Sales Almost Double in 2008", Rolling Stone, archived from the original on 31 July 2011 Kahney, Leander (1 February 2002), "He Writes the Songs: Mac Songs", Wired, archived from the original on 13 April 2012 The most fun to be had with OKNOTOK is in these line-blurring moments, hearing how the lost material informs the original album. After The Bends, Radiohead were briefly lumped in with the other bands in the “Britpop” scene, an association they never relished. If “Palo Alto” had seen official release, it would have stamped them with the brand for life; with the lava-lamp psychedelia of its winding central guitar riff, it is very nearly a Kula Shaker song, and it also happens to be the song that gave OK Computer its name. The same goes for “Pearly,” in which Yorke leers about “vanilla milkshakes” and moans “use me, darling, use me” over a nearly- Led Zeppelin III-sized stomp with an arpeggiated coda straight out of “House of the Rising Sun.” It was “a dirty song for people who use sex for dirty things,” Yorke used to joke when introducing the song in concert.a b Dombal, Ryan (15 September 2010). "Take Cover: Radiohead Artist Stanley Donwood". Pitchfork. Archived from the original on 30 August 2011. Williams, Alexandra (29 August 1998). "It is Size that counts as Roni wins Mercury prize". The Independent. Archived from the original on 6 September 2016.

Radiohead - Ok Computer [vinyl] | Banquet Records

The OK Computer artwork is a collage of images and text created by Yorke (credited as the White Chocolate Farm) and Stanley Donwood. [104] Yorke commissioned Donwood to work on a visual diary alongside the recording sessions. He said he did not feel confident in his music until he saw a visual representation to accompany it. [55] According to Donwood, the blue-and-white palette was the result of "trying to make something the colour of bleached bone". [105] [106] Schreiber, Ryan. "Radiohead: OK Computer: Pitchfork Review". Pitchfork. Archived from the original on 3 March 2001 . Retrieved 27 October 2020. Solo Exitos 1959–2002 Ano A Ano: Certificados > 1995–1999. Iberautor Promociones Culturales. 2005. ISBN 84-8048-639-2. Archived from the original on 27 December 2013 . Retrieved 16 January 2014. Steve Lowe called the song "penetrating surgery on pseudo-meaningful corporations' lifestyles" with "a repugnance for prevailing yuppified social values". [77] Among the loosely connected imagery of the lyrics, Footman identified the song's subject as "the materially comfortable, morally empty embodiment of modern, Western humanity, half-salaryman, half- Stepford Wife, destined for the metaphorical farrowing crate, propped up on Prozac, Viagra and anything else his insurance plan can cover." [81] Sam Steele called the lyrics "a stream of received imagery: scraps of media information, interspersed with lifestyle ad slogans and private prayers for a healthier existence. It is the hum of a world buzzing with words, one of the messages seeming to be that we live in such a synthetic universe we have grown unable to detect reality from artifice." [82]Complete National Recording Registry Listing". Library of Congress. Archived from the original on 9 March 2020 . Retrieved 15 June 2019. Radiohead resumed recording in September 1996 at St Catherine's Court, a historic mansion near Bath owned by the actress Jane Seymour. [33] It was unoccupied but sometimes used for corporate functions. [34] The change of setting marked an important transition in the recording process. Greenwood, comparing the mansion to previous studio settings, said it "was less like a laboratory experiment, which is what being in a studio is usually like, and more about a group of people making their first record together". [34] End of Year Charts 1997". Recorded Music NZ. Archived from the original on 10 May 2017 . Retrieved 1 June 2020.

Radiohead: OK Computer OKNOTOK 1997-2017 review - The Guardian Radiohead: OK Computer OKNOTOK 1997-2017 review - The Guardian

Gill, Andy (5 October 2007), "Ok computer: Why the record industry is terrified of Radiohead's new album", The Independent, archived from the original on 3 November 2012 a b Fitzmaurice, Larry (15 January 2009), "Radiohead's First Three Albums Reissued with Extras", Spin, archived from the original on 22 January 2009The paranoia I felt at the time was much more related to how people related to each other. But I was using the terminology of technology to express it. Everything I was writing was actually a way of trying to reconnect with other human beings when you’re always in transit. That’s what I had to write about because that’s what was going on, which in itself instilled a kind of loneliness and disconnection. a b Kot, Greg (4 July 1997), "Radiohead: OK Computer (Capitol)", Chicago Tribune, archived from the original on 18 January 2013 The album's lyrics depict a world fraught with rampant consumerism, social alienation, emotional isolation and political malaise; in this capacity, OK Computer is said to have prescient insight into the mood of 21st-century life. The band used unconventional production techniques, including natural reverberation, and no audio separation. Strings were recorded at Abbey Road Studios in London. Most of the album was recorded live.

Radiohead – OK Computer (2016, Vinyl) - Discogs

a b Christgau, Robert (23 September 1997), "Consumer Guide", The Village Voice, archived from the original on 26 August 2011 Moon, Tom (2008). " OK Computer". 1,000 Recordings to Hear Before You Die. New York: Workman. pp.627–628. ISBN 978-0-85965-439-5. Archived from the original on 6 August 2011. a b c d e f g h i Irvin, Jim (July 1997), "Thom Yorke tells Jim Irvin how OK Computer was done", Mojo The album’s lyrical themes and composition have it hailed as way ahead of its time, predictive of society’s obsession with technology, and the isolation and paranoia that comes with it. Yorke, however, explained that it stemmed mostly from his personal experiences travelling non-stop in a touring band. This is about the unspeakable. Literally skull-crushing. I used to work in a mental hospital around the time that Care in the Community started, and we all just knew what was going to happen. And it's one of the scariest things to happen in this country, because a lot of them weren't just harmless... It was hailing violently when we recorded this. It seemed to add to the mood. [70]Hilburn, Robert (3 June 2001), "Operating on His Own Frequency", Los Angeles Times, archived from the original on 18 January 2013 Kharas, Kev (16 October 2007). "Radiohead: OK Computer play live on BBC this Friday". Drowned in Sound. Archived from the original on 4 March 2016. a b c Walters, Barry (August 1997), "Radiohead: OK Computer (Capitol)", Spin, vol.13, no.5, pp.112–13 , retrieved 6 April 2020 Jaaroverzichten – Album 1997" (in Dutch). MegaCharts. Archived from the original on 22 September 2019 . Retrieved 1 June 2020. V, Petey (9 January 2009), "Animal Collective Rides Vinyl Wave into '09, Massive 2008 Vinyl Sales Figures Confuse Everyone but B-52s Fans", Tiny Mix Tapes, archived from the original on 24 September 2010