Kodak Portra 400 35m 36exp Film Professional 5 Pack

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So while Portra may not be the film of choice for a landscape photographer, if you’re interested in shooting more landscapes and Portra is what you know, then have at it. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. First you can just shoot for the ground and rest assured that Portra will handle the highlights, essentially just ignore the sky when making your readings. This film really shines with skin tones, but definitely don’t knock it for landscape and settings because it’ll knock your socks off with how awesome it is! Its rendition of skin tones is excellent, it has its own ‘style’ that is slightly creamier than in reality, but the results are very pleasing.

Kodak Portra 400 35mm film review | Digital Camera World

It’s well know that overcast it’s really the best conditions for color landscape photography, however depending on the scene you can still make it work. This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it. Natural skin tones: Kodak Portra 400 film is known for its exceptional skin tones, which are rendered with a natural, lifelike quality. Nine times out of ten, I always overexpose Kodak Portra 400 by metering it at 200 and meter for the shadows or midtones. I first tried auto-white-balance (with a white balance shift of +2 Red and -5 Blue), and I got good results a few times and not good results a bunch of times.He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. The 400 ISO provides slight grain, but not as much as you’d see in the higher rated shooting from 800-1600 with BwXX. This reduces some of the saturation in the sky, which often leans towards an unattractive cyan on Portra. If you’re looking for film similar to Cinestill, read our blog post outlining the our favorite Cinestill alternatives! Kodak films do tend to give your photographs a warmness, especially when compared to typical Fujicolor offerings.

Kodak Portra 400 - 120 Film - Analogue Wonderland

no matter the lighting conditions, even under fluorescent, you can expect beautiful, natural colour. If you want to go shoot landscapes with Portra, it’s going to look great, and you can always persuade the color a touch in post (as I usually tend to do). I’ll be completely honest, when I first started getting into film, I wasn’t even interested in Kodak. The song’s partly inspired by Just Kids by Patti Smith, and that idea of relationships being dissolved and wrecked by people’s unhealthy coping mechanisms.Luckily enough, the small m43 camera that I use seems to average meter these scenes flawlessly and so does the cell phone metering app that I have. After doing this test, I can say almost for certain that Lomo 400 is in fact Kodak Ultramax, because it is warmer and more punchy than Portra. Outside of work, he has a personal passion for travel and nature photography, with a devotion to sustainability and environmental causes. The drum scanner has created a different workflow for me because I have to invert my images manually, but the approach I take to color is just the same as it was back when I used the Epson to scan everything. Chris's editorial work includes not only editing and scheduling articles but also writing them himself.

Kodak Portra 400 35m 36exp Film Professional 5 Pack

This means that the film is almost always being overexposed by more than a full stop, and skies might be overexposed by a stop or two (or sometimes several) more than that. When you’re shooting your Portra 400, be aware that it’s one of the most forgiving films out there as far as exposure latitude goes. With its well-balanced contrast, color, and clarity, it’s a film that embellishes things enough to bring out the beauty in a scene without being overtly garish or obvious. Splitting the difference between these two now-discontinued Portras, today’s Portra 400 makes images that pop with balanced color while avoiding looking like a leprechaun puked Lucky Charms all over your print. Overexposed negatives have softer colors and underexposed ones will have more saturation and eventually get severe color shifts in very deep shadows.But since Lomo 400 doesn’t have any published technical datasheets, it’s difficult to know how to adjust the exposure at night. Even using a one or two stop soft GND filter can help you retain some of the richer colors in the sky, but they will always be somewhat subdued on Portra. Countless people have messaged me saying that they’ve tried Portra themselves and just weren’t happy with the results, so I think with a few quick tips we can demystify this magical film and unlock its true potential. In normal sized 4 x 6 prints it’s impossible to spot a speck of the stuff, and even 8 x 10 enlargements show no grain. And while I’ve already talked it up pretty highly, I’ve not even gotten to Portra’s greatest strength – the film’s simple usability.